American cellist Ifetayo Ali-Landing is quickly establishing herself as one of today’s leading young artists, earning praise for her “charismatic” playing (Chicago Tribune) and being described as a “powerhouse” by Classical MPR.
In 2017, Ali-Landing won the First Place Laureate of the Sphinx Competition’s Junior Division and has since gone on to perform with the Chicago Symphony Orchestra at Ravinia (under Marin Alsop), Detroit Symphony Orchestra, Pittsburgh Symphony, New World Symphony, Chicago Sinfonietta, Wilmington (NC), South Bend, Southwest Michigan and Elgin Symphonies, Buffalo Philharmonic, and Vermont Symphony Orchestra on a state-wide tour; recitals include the Kansas City Harriman-Jewell Series and The National Arts Club, among many others.
Ali-Landing features frequently in the media, with notable appearances on NPR’s From The Top (where she performed Vivaldi with Kevin Olusola beatboxing), a residency as Young Artist with APM’s Performance Today, and a TED talk at [email protected]
Her musical studies began on the violin before switching to cello at the age of four. Previous teachers and coaches include Lucinda Ali-Landing, Megan Lauterbach, and Martine Benmann at the Hyde Park Suzuki Institute in Chicago, as well as Tahirah Whittington, Oleksa Mycyk, and Hans Jørgen Jensen. She currently studies at the Colburn School in Los Angeles with Clive Greensmith.
Andrei Ioniță won First Prize at the 2015 International Tchaikovsky Competition, and prizes at the ARD, Feuermann and Khachaturian competitions. He was a BBC New Generation Artist from 2016-18 and is the Symphoniker Hamburg’s 2019/20 artist-in-residence.
In addition to concerts in Hamburg, the coming season will see Andrei debut with the Philharmonia Orchestra (Gergely Madaras), Detroit Symphony (Elena Schwarz), Dresden Philharmonie (Krzysztof Penderecki), Bournemouth Symphony (Marta Gardolińska) and Turku Philharmonic (Christian Vásquez); and return to the Orchestre National de Belgique (Cristian Macelaru), Russian National Orchestra (Mikhail Pletnev) and St. Petersburg Philharmonic (Ion Marin).
Highlights of the previous two seasons have included concertos with the Münchner Philharmoniker (Valeriy Gergiev), Orchestre symphonique de Montréal (Kent Nagano), BBC Philharmonic (Omer Meir Wellber and John Storgårds), Danish National Symphony (Christian Kluxen), Royal Scottish National Orchestra (Karl-Heinz Steffens), San Diego Symphony (Case Scaglione) and BBC National Orchestra of Wales (Ainars Rubikis).
Andrei recently gave recitals at Carnegie Hall, Konzerthaus Berlin, Elbphilharmonie and Zurich Tonhalle; as well as at the Verbier and Martha Argerich Festivals. Forthcoming chamber dates include collaborations with Stephen Hough, Cédric Tiberghien and Kian Soltani at the Wigmore Hall and Pierre Boulez Saal.
Yo-Yo Ma’s multi-faceted career is testament to his continual search for new ways to communicate with audiences, and to his personal desire for artistic growth and renewal. Whether performing new or familiar works from the cello repertoire, coming together with colleagues for chamber music or exploring cultures and musical forms outside the Western classical tradition, Mr. Ma strives to find connections that stimulate the imagination.
This year, Mr. Ma begins a new journey, setting out to perform Johann Sebastian Bach’s six suites for solo cello in one sitting in 36 locations around the world, iconic venues that encompass our cultural heritage, our current creativity, and the challenges of peace and understanding that will shape our future. Each concert will be an example of culture’s power to create moments of shared understanding, as well as an invitation to a larger conversation about culture, society, and the themes that connect us all.
Mr. Ma and his wife have two children. He plays two instruments, a 1733 Montagnana cello from Venice and the 1712 Davidoff Stradivarius.
German-Canadian cellist Johannes Moser has performed with the world’s leading orchestras and works regularly with conductors of the highest level.
His recordings include the concertos by Dvořák, Lalo, Elgar, Lutosławski, Dutilleux and Tchaikovsky, which have gained him the prestigious Preis der Deutschen Schallplattenkritik and the Diapason d’Or and Gramophone commented “[Lutosławski and Dutilleux Cello Concertos]…Anyone coming afresh to these masterly works… should now investigate this new release ahead of all others…”. In August 2019 his latest release featured the works of Felix and Fanny Mendelssohn with Alasdair Beatson, Piano.
Highlights of the 2020/21 season include extended projects with the Symfoniorkest Vlaanderen, Württembergisches Kammerorchester Heilbronn, Orchestre National d’Ile de France and Academy of St. Martin in the Fields, as well as performances in Czechia, The Netherlands, Serbia, Spain, Switzerland and the United States.
Johannes is renowned for his efforts to expand the reach of the classical genre to all audiences, and his passionate involvement in commissioning new works for his instrument.
Johannes Moser plays on an Andrea Guarneri Cello from 1694 from a private collection.
Born in 1993, Bruno Philippe studied the cello at the Conservatoire National Supérieur de Musique de Paris, with Raphaël Pidoux and Jérôme Pernoo, and chamber music with Claire Désert. From 2014-2018, he studied as a young soloist at the Kronberg Academy with Frans Helmerson and participated in masterclasses given by David Geringas, Steven Isserliss, Gary Hoffman, Pieter Wispelwey and Clemens Hagen at Salzbourg Mozarteum.
Prize-winner at multiple competitions in recent years, Bruno has appeared in prestigious venues and festivals in France (Théâtre des Bouffes du Nord, Philharmonie de Paris, Auditorium du Louvre, La Grange au Lac, Festival de Radio France Montpellier-Occitanie etc.) as well as on the international scene including the Berlin Konzerthaus, Alte Oper, Frankfurt, Teatro Colón, Bogotá and Bavarian Radio, Munich. Bruno has performed with many of Europe’s best orchestras including Radio-Sinfonieorchester Frankfurt conducted by Christoph Eschenbach, Dijon-Bourgogne Orchestra under Gabor Takács-Nagy, Symphonieorchester des Bayerischen Rundfunks, Münchener Kammerorchester, Orchestre National de Bordeaux, Orchestre de Chambre de Paris and Orchestre Philharmonique de Monte-Carlo.
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While a student at the Shanghai Conservatoire Jian Wang was featured in the celebrated documentary film From Mao to Mozart: Isaac Stern in China. Mr Stern’s encouragement and support paved the way for him to go to the United States and in 1985 he entered the Yale School of Music.
Recent and future highlights include concerts with the New York and Hong Kong Philharmonic, Boston, Philharmonia, BBC Scottish, Toronto, Melbourne and Singapore Symphony Orchestras, the Konzerthausorchester Berlin and Orchestre de Chambre de Paris.
Jian has performed with many of the world’s leading orchestras including the Royal Concertgebouw, London Symphony, Zurich Tonhalle, NDR Hamburg, Stockholm Philharmonic, Orchestre de Paris and NHK Symphony. Amongst his many high-profile concerts in China, he has played for the President and opened the season for the China Philharmonic, Shanghai Symphony and Macau Symphony Orchestras. He has also played with the China National Orchestra, Hangzhou Symphony and performed the complete Bach Cello Suites in Beijing.
He has an extensive discography with DGG, including the Bach Cello Suites and the Brahms Double Concerto with the Berliner Philharmoniker, Claudio Abbado and Gil Shaham and chamber music with Maria João Pires and Augustin Dumay. His instrument is graciously loaned to him by the family of the late Mr. Sau-Wing Lam.
Entering her second season as Artistic Partner with the Trondheim Soloists, Weilerstein joins the ensemble on two European tours this autumn, including appearance in Norway, London, Munich and Bergen. Their first album together, 2018’s Transfigured Night released on Pentatone, features Schoenberg’s Verklärte Nacht and both Haydn cello concertos. It attracted unanimous praise, with Gramphone magazine proclaiming, “you’d go far to find performances of the Haydn concertos that match Alisa Weilerstein’s mix of stylistic sensitivity, verve and spontaneous delight in discovery.” Beyond the partnership with the Trondheim Soloists Weilerstein’s 19-20 concert highlights include Saint-Saëns’s First Cello Concerto with the New York Philharmonic, Shostakovich’s Cello Concerto No. 2 with Tokyo’s NHK Symphony, Britten’s Symphony for Cello and Orchestra with Zurich’s Tonhalle Orchestra, Schumann Cello Concerto with the Houston Symphony, Barber Cello Concerto with the Detroit Symphony, Strauss’ Don Quixote and Bloch’s Scholmo with the San Diego Symphony, and Elgar’s Cello Concerto with the London Symphony Orchestra, both at the Barbican in London and the Philharmonie in Paris. In recital, she gives solo performances of Bach’s complete cello suites in California, Barcelona, Manchester, and joins her frequent duo partner, Inon Barnatan, for Brahms and Shostakovich at London’s Wigmore Hall, Milan’s Sala Verdi and Amsterdam’s Concertgebouw. To celebrate Beethoven’s 250th anniversary, she rejoins the Israeli pianist for a U.S. recital tour of all five of the composer’s cello sonatas, besides playing Beethoven’s Triple Concerto with Guy Braunstein, Barnatan, and the Dresden Philharmonic. Her recording of the concerto, featuring Alan Gilbert, Stefan Jackiw, Barnatan, and the Academy of St. Martin in the Fields, is due for release by Pentatone this autumn.