Andrei Ioniță won First Prize at the 2015 International Tchaikovsky Competition, and prizes at the ARD, Feuermann and Khachaturian competitions. He was a BBC New Generation Artist from 2016-18 and is the Symphoniker Hamburg’s 2019/20 artist-in-residence.

In addition to concerts in Hamburg, the coming season will see Andrei debut with the Philharmonia Orchestra (Gergely Madaras), Detroit Symphony (Elena Schwarz), Dresden Philharmonie (Krzysztof Penderecki), Bournemouth Symphony (Marta Gardolińska) and Turku Philharmonic (Christian Vásquez); and return to the Orchestre National de Belgique (Cristian Macelaru), Russian National Orchestra (Mikhail Pletnev) and St. Petersburg Philharmonic (Ion Marin).

Highlights of the previous two seasons have included concertos with the Münchner Philharmoniker (Valeriy Gergiev), Orchestre symphonique de Montréal (Kent Nagano), BBC Philharmonic (Omer Meir Wellber and John Storgårds), Danish National Symphony (Christian Kluxen), Royal Scottish National Orchestra (Karl-Heinz Steffens), San Diego Symphony (Case Scaglione) and BBC National Orchestra of Wales (Ainars Rubikis).

Andrei recently gave recitals at Carnegie Hall, Konzerthaus Berlin, Elbphilharmonie and Zurich Tonhalle; as well as at the Verbier and Martha Argerich Festivals. Forthcoming chamber dates include collaborations with Stephen Hough, Cédric Tiberghien and Kian Soltani at the Wigmore Hall and Pierre Boulez Saal.

Yo-Yo Ma’s multi-faceted career is testament to his continual search for new ways to communicate with audiences, and to his personal desire for artistic growth and renewal. Whether performing new or familiar works from the cello repertoire, coming together with colleagues for chamber music or exploring cultures and musical forms outside the Western classical tradition, Mr. Ma strives to find connections that stimulate the imagination.

This year, Mr. Ma begins a new journey, setting out to perform Johann Sebastian Bach’s six suites for solo cello in one sitting in 36 locations around the world, iconic venues that encompass our cultural heritage, our current creativity, and the challenges of peace and understanding that will shape our future. Each concert will be an example of culture’s power to create moments of shared understanding, as well as an invitation to a larger conversation about culture, society, and the themes that connect us all.

Mr. Ma and his wife have two children. He plays two instruments, a 1733 Montagnana cello from Venice and the 1712 Davidoff Stradivarius.

German-Canadian cellist Johannes Moser has performed with the world’s leading orchestras and works regularly with conductors of the highest level.

His recordings include the concertos by Dvořák, Lalo, Elgar, Lutosławski, Dutilleux and Tchaikovsky, which have gained him the prestigious Preis der Deutschen Schallplattenkritik and the Diapason d’Or and Gramophone commented “[Lutosławski and Dutilleux Cello Concertos]…Anyone coming afresh to these masterly works… should now investigate this new release ahead of all others…”. In August 2019 his latest release featured the works of Felix and Fanny Mendelssohn with Alasdair Beatson, Piano.

In the 2019/20 season, highlights include two world premieres of Cello Concertos by Andrew Norman with the Los Angeles Philharmonic with Gustavo Dudamel and Bernd Richard Deutsch’s with the Tonkünstler-Orchester Niederösterreich conducted by Yutaka Sado to include performances in Vienna (Musikverein), Grafenegg Festival, the Festspielhaus St. Polten and additional performances with the Frankfurt Radio Symphony. Johannes will also return to the London Philharmonic, BBC Philharmonic, BBC Scottish Symphony and Boston Symphony Orchestras as well as to the George Enescu Festival with the Oslo Philharmonic. He will also perform at the season opening concerts of both the Ulster Orchestra (Elgar’s Cello Concerto conducted by Daniele Rustioni) and the Orquesta Sinfonica de Galacia with (Saints-Saens Cello Concerto Conducted by Dima Slobodeniouk). European touring will include with the Symfonieorkest Vlaanderen, Württembergische Kammerorchester Heilbronn (Play-direct) and Metamorphosen Berlin.

Johannes is renowned for his efforts to expand the reach of the classical genre to all audiences, and his passionate involvement in commissioning new works for his instrument.

Johannes Moser plays on an Andrea Guarneri Cello from 1694 from a private collection.

While a student at the Shanghai Conservatoire Jian Wang was featured in the celebrated documentary film From Mao to Mozart: Isaac Stern in China. Mr Stern’s encouragement and support paved the way for him to go to the United States and in 1985 he entered the Yale School of Music.

Recent and future highlights include concerts with the New York and Hong Kong Philharmonic, Philharmonia, BBC Scottish, Toronto, Melbourne and Singapore Symphony Orchestras, the Konzerthausorchester Berlin and Orchestre de Chambre de Paris.

Jian has performed with many of the world’s leading orchestras including the Royal Concertgebouw, London Symphony, Zurich Tonhalle, NDR Hamburg, Stockholm Philharmonic, Orchestre de Paris and NHK Symphony. Amongst his many high-profile concerts in China, he has played for the President and opened the season for the China Philharmonic, Shanghai Symphony and Macau Symphony Orchestras. He has also played with the China National Orchestra, Hangzhou Symphony and performed the complete Bach Cello Suites in Beijing.

He has an extensive discography with DGG, including the Bach Cello Suites and the Brahms Double Concerto with the Berliner Philharmoniker, Claudio Abbado and Gil Shaham and chamber music with Maria João Pires and Augustin Dumay. His instrument is graciously loaned to him by the family of the late Mr. Sau-Wing Lam.

The American-born cellist Alisa Weilerstein has attracted attention worldwide for her natural virtuosity, intensity of her playing and the spontaneity and sensitivity of her interpretations. In 2010, she was invited by Daniel Barenboim and the Berlin Philharmonic to play the Elgar concerto in the orchestra’s annual Europakonzert which that year took place in Oxford’s Sheldonian Theatre. She has appeared with all of the major orchestras throughout the United States and Europe with conductors including Pablo Heras-Casado, Gustavo Dudamel, Sir Mark Elder, Christoph Eschenbach, Paavo Järvi, Zubin Mehta, Matthias Pintscher, Yuri Temirkanov, Juraj Valcuha, Osmo Vänskä, Semyon Bychkov, Simone Young and Jaap van Zweden. She has also appeared at major music festivals throughout the world as a soloist, recitalist and as a chamber musician.

In the 2018-19 season, Weilerstein releases Transfigured Night on the Pentatone label, joined by Norway’s Trondheim Soloists for three masterworks of the First and Second Viennese Schools: Haydn’s First and Second Cello Concertos and Schoenberg’s Verklärte Nacht, from which the album takes its title. Two Scandinavian performances of the album repertoire with the same ensemble open the season. In the spring, she returns to Verklärte Nacht, this time in a trio version, when she tours Europe and the U.S. with pianist and frequent collaborator Inon Barnatan, violinist Sergey Khachatryan, and percussionist Colin Currie. Between these bookends, she gives performances of Shostakovich’s Second Cello Concerto with five different orchestras (the Gothenburg Philharmonic, Orquesta Nacional de España, Orchestre de Chambre de Lausanne, Valencia Orchestra, and Toronto Symphony), and tours the U.S. playing Dvořák’s Cello Concerto with the Czech Philharmonic led by Semyon Bychkov. She also performs the Schumann Concerto with the Rotterdam Philharmonic in Belgium and the Netherlands, and gives accounts of Saint-Saëns’s First Cello Concerto, Britten’s Symphony for Cello and Orchestra, Richard Strauss’s Don Quixote, and Bloch’s Schelomo: Rhapsodie Hébraïque in cities from San Diego to Vienna. Finally, she gives two performances, with the composer leading both Copenhagen’s Danish National Symphony Orchestra and the Cincinnati Symphony, of Matthias Pintscher’s new cello concerto Un despertar (An Awakening), written for her and premiered last season. In the midst of her orchestral engagements are five solo performances of Bach’s complete cello suites, in Beverly Hills, Boston’s Celebrity Series, the Saint-Denis Festival in Paris, the Elbiphilharmonie as part of the Schleswig-Holstein Festival and for Cal Performances in Berkeley. After years of playing the pieces individually, this season marks only the third in which she has ventured to perform them all.