She made her Metropolitan Opera debut in 2016 as the Madrigal Singer in Puccini’s Manon Lescaut and has since sung at the Glyndebourne Festival (Dryad/Ariadne); Seattle Opera (Ursula/Beatrice et Benedict); Opera Columbus (Carmen) and at the Grand Théâtre de Genève (Cherubino/Nozze di Figaro). This season, Avery will sing Eduige/Rodelinda with Emmanuelle Haïm in her house and role debut at Opera de Lille and for Opera de Lyon, and will return to the Glyndebourne Festival as Goffredo/Rinaldo. On the concert platform, she will sing Bach’s B Minor Mass with the Seattle Symphony, Prokofiev’s Alexander Nevsky with the Colorado Symphony and the New West Symphony, make her debut with the Early Opera Company in Dido and Aeneas at the Het Concertgebouw Amsterdam and make her BBC debut as Ursula in Beatrice and Benedict.

Recent concerts include Vivaldi arias with the Orchestra of St Luke’s in New York; Mozart’s Requiem with the Rhode Island Philharmonic and Bramwell Tovey; Bach’s St John Passion and Duruflé’s Requiem with the Voices of Ascension, New York; Berlioz Les Nuits D’été and Brahms Alto Rhapsody with the American Classical Orchestra, and concerts of Handel and Vivaldi with the Philharmonia Baroque Orchestra and Nicholas McGegan.  Exceptional in baroque repertoire, she has worked with William Christie, Helmuth Rilling and Maasaki Suzuki, and at the Bachfest Leipzig and the Boston Early Music Festival.

Jennifer Johnston is a former BBC New Generation Artist, and a graduate of Cambridge University and the Royal College of Music. She is particularly associated with the Bayerische Staatsoper and its distinguished musical director Kirill Petrenko, where her roles have included Second Norn, Roßweise, Floßhilde, Hedwige and La Ciesca. She has appeared in opera at the Teatro alla Scala (Mrs Grose/The Turn of the Screw, Gaia/CO2), Salzburg Festival (Carmi/La Betulia Liberata, Lady de Hautdesert/Gawain, Leda/Die Liebe Der Danae) and Festival d’Aix-en-Provence (Dido/Dido and Aeneas), amongst others.

A prolific concert performer, she has performed with many of the world’s greatest orchestras and conductors, including Jocaste in Stravinsky’s Oedipus Rex (Sir John Eliot Gardiner/Berlin Philharmonic & London Symphony Orchestras, released as an LSO Live disc), Beethoven’s Missa Solemnis (Sir John Eliot Gardiner/Orchestre Revolutionnaire et Romantique at the BBC Proms and on disc), Mahler’s Second Symphony (De la Parra/London Philharmonic Orchestra), Mahler’s Third Symphony (Welser-Möst/Cleveland Orchestra, Zinman/Orchestre National de Lyon), Elgar’s Sea Pictures (Tate/Hamburg Symphony Orchestra), Elgar’s The Dream of Gerontius (Brabbins/BBC Scottish Symphony Orchestra), Verdi’s Requiem (Gardner/Bergen Philharmonic Orchestra, Slatkin/Orchestra National de Lyon), Schumann’s Das Paradies und die Peri (Gatti/Accademia Di Santa Cecilia), Adès’s Totentanz (Adès/Royal Concertgebouw Orchestra, Harding/Swedish Radio Symphony Orchestra), and Pasqualita in Adams’ Doctor Atomic (Adams/BBC Symphony Orchestra, recorded for Nonesuch).

She made her solo recital debut at the Wigmore Hall accompanied by Joseph Middleton and broadcast live on BBC Radio 3. She is a founder member of The Prince Consort, with whom she has recorded for Linn Records, and has appeared in recital at Wigmore Hall, the Concertgebouw and the Aldeburgh Festival. Her extensive discography includes Anthony Payne’s arrangement of Vaughan Williams’ Four Last Songs with the BBC Symphony Orchestra under Martyn Brabbins for Albion Records, which she premiered at the BBC Proms (Vänska/BBCSO) and which was nominated for a Grammy Award.

Jennifer’s engagements in 2018-19 include La Ciesca (Gianni Schicci) / La Maestra della Novizie (Suor Angelica) in Puccini’s Il Trittico at the Bayerische Staatsoper, Waltraute in Wagner’s Die Walküre (Sir Simon Rattle/Bayerische Rundfunk Symphony Orchestra), Mahler’s Eighth Symphony (Welser-Möst/Vienna Philharmonic Orchestra), Mahler’s Second Symphony (Zinman/Vienna Symphony Orchestra, Lintu/Finnish Radio Symphony Orchestra), Mahler’s Rückert Lieder (Zinman/Vienna Symphony Orchestra; Kalmar/Royal Liverpool Philharmonic Orchestra), Wagner’s Wesendonck Lieder (Kalmar/Royal Liverpool Philharmonic Orchestra), Beethoven’s Missa Solemnis (Leenaars/Berliner Rundfunkchor, recorded for Sony), Mahler’s Lieder Eines Fahrenden Gesellen (Collon/Aurora Orchestra), Chausson’s Poème de L’amour et de la Mer (Šedivy/Prague Radio Symphony Orchestra), and she will appear as the Royal Liverpool Philharmonic Orchestra’s guest artist for their Spirit of Christmas concert series.

Mezzo-soprano & Contralto

Anna Larsson

Globally renowned for her interpretation of Mahler, Swedish mezzo soprano, Anna Larsson, has worked with the greatest Mahler conductors of our time including Claudio Abbado, Zubin Mehta, Daniel Harding, Esa-Pekka Salonen, Lorin Maazel and Kurt Masur.  On the operatic stage, she is a distinguished Wagnerian and her roles include Erda, Waltraute, Kundry and Brangäne, for which she is regularly in demand. She built and inaugurated the Vattnäs Concert Barn in Sweden which has been the stage for many community projects including a world premiere.  She is an intellectual and vocal commentator and ambassador for the future of opera and classical music.  In 2014 she was awarded the Royal Medal ‘Litteris et Artibus’ from the King of Sweden.


Nathalie Stutzmann (Contralto)

Nathalie Stutzmann is considered one of the most outstanding musical personalities of our time. Proclaimed “the best contralto in the world“(BR Klassik), Nathalie has spent her career performing with the world’s greatest conductors and orchestras.

Particularly acclaimed for her performances of Mahler, Brahms and Schubert, she is also a highly-praised recitalist. Nathalie has performed more than 300 recitals with Swedish pianist Inger Södergren, with whom she has also recorded several song cycles by Schubert, Schumann, Brahms, Poulenc and Chausson, among others. Recitals in recent seasons include performances at Concertgebouw Amsterdam, Stockholm Concert Hall, Salle Garnier Monte Carlo, St George’s Hall Liverpool, La Monnaie in Brussels, Gulbenkian Foundation Lisbon, and a Japan tour to celebrate the re-release by Warner/Erato of their earlier recording of the three Schubert song cycles.

Parallel to her concerts as a singer, she devotes most of her singing season to her own chamber orchestra Orfeo 55, created in 2009 and resident at Opéra Orchestre National Montpellier. Nathalie regularly records with Orfeo 55 and is currently an exclusive recording artist of Warner Classics/Erato as a singer and conductor. Recent recordings include Italian arias with “Quella Fiamma”, for which she was praised by Gramophone as being “one of the great baroque singers of our day”, as well as “Heroes from the Shadows” (Handel) awarded of a Diapason d’Or, “Une Cantate Imaginaire” (Bach), and “Prima Donna” (Vivaldi), all with Orfeo 55. This season they will perform at Philharmonie de Paris, Montpellier Opera, Elbphilharmonie Hamburg and Meldorf Schleswig-Holstein Musik Festival.

Visit Nathalie Stutzmann’s Conducting page here

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