David Daniels

American countertenor David Daniels is known for his superlative artistry, magnetic stage presence and a voice of singular warmth and surpassing beauty, which have helped him redefine the countertenor voice for the modern public.

Highlights include the title role in Orfeo (Royal Opera House, Metropolitan Opera and Lyric Opera of Chicago); Orlando, Tamerlano and Rinaldo (Bayerische Staatsoper); the title role in Giulio Cesare (Glyndebourne); Oberon A Midsummer Night’s Dream (Metropolitan Opera, La Scala, Lyric Opera of Chicago and Gran Teatro del Liceu); Bertarido Rodelinda (Bolshoi) and his debut at the Wiener Staatsoper as Trinculo in Adès’ The Tempest. He also created the role of Oscar Wilde in Theodore Morrison’s opera Oscar in Santa Fe. He is admired for his performances of lieder and art song and has given recitals in New York, Paris, Berlin, Vienna, Barcelona, Moscow and at the Edinburgh, Tanglewood and Ravinia Festivals.

David was the recipient of Musical America’s Vocalist of the Year for 1999 and the 1997 Richard Tucker Award.  He was also the recipient of an Opera News Award in 2013. He is Professor of Music at the University of Michigan.


In 2017 Iestyn was awarded an MBE by the Queen for his services to Music. A former Cambridge choral scholar, he went on to study singing at the Royal Academy of Music. An esteemed Handelian, he has astounded audiences globally with his vocal agility in roles such as Orlando, Rinaldo, Giulio Cesare, Ottone Agrippina, David Saul. His intelligent and considered interpretations have led to fruitful collaborations with Thomas Adès, George Benjamin and Nico Muhly. Iestyn has appeared on Broadway, making his debut in a revival of his west-end theatre project, Farinelli and the King, with Mark Rylance and received an Olivier Award nomination.  A celebrated recitalist, with repertoire ranging from Dowland to Clapton, he has twice been awarded the Gramophone Recital Award, and in 2017 won the Gramophone Baroque Vocal Award.

The leading virtuoso counter-tenor of our time, Franco Fagioli is renowned as much for his artistry as for the beauty of his voice and masterful technique, spanning three octaves.

Highlights in his 2020/21 season include Nerone in Handel’s Agrippina for the Hamburgische Staatsoper, Adalgiso in Porpora’s Carlo il Calvo with Armonia Atenea/George Petrou, the title role in Handel’s Oreste on tour with Il Pomo d’Oro/Maxim Emelyanychev and Mozart arias with the Kammerorcester Basel.

He has appeared at Teatro alla Scala, Milan; the Royal Opera House, Covent Garden; the Bayerische Staatsoper, Munich; the Opéra national de Paris; Opernhaus Zurich; Dutch National Opera; Festival d’Aix-en-Provence; Theater and der Wien; Opéra National de Lorraine; Opéra de Lille and Théâtre des Champs Elysées.

He collaborates regularly with such conductors as Rinaldo Alessandrini, Diego Fasolis, Gabriel Garrido, René Jacobs, José Manuel Quintana, Marc Minkowski, Riccardo Muti and Christophe Rousset.