Baritone & Director
Sir Thomas Allen
Sir Thomas Allen is an established star of the great opera houses of the world. He has sung over fifty roles at the Royal Opera House, Covent Garden; in 2012 he celebrated his 40th anniversary of his debut with the company. An acclaimed recitalist, he is equally renowned on the concert platform and has appeared with the world’s great orchestras and conductors. He is Chancellor of Durham University. His many honours include the title of Bayerischer Kammersänger awarded by the Bayerische Staatsoper. In the New Year’s Honours of 1989 he was created a Commander of the British Empire and in the 1999 Queen’s Birthday Honours he was made a Knight Bachelor. Among his proudest achievements is having a Channel Tunnel locomotive named after him; and most recently, being awarded the Queen’s Medal for Music 2013.
John Cox is recognised as one of the major opera directors. He was Director of Productions for Glyndebourne, where he directed works by Mozart, Rossini and Haydn, a celebrated Rake’s Progress with David Hockney’s designs, and a notable group of Richard Strauss domestic comedies: Ariadne auf Naxos, Capriccio, Intermezzo, Die Schweigsame Frau, Der Rosenkavalier and Arabella. He was Artistic Director of Scottish Opera and Production Director for the Royal Opera, Covent Garden. His opera productions have been seen throughout Europe, North America and Australia. In addition he has worked extensively in theatre, television, film and major festivals. Recent productions include Le nozze di Figaro for Garsington Opera, Ariadne auf Naxos in Chicago and Cosi fan tutte in Dallas. He will return to the Garsington Opera in 2017 for Le nozze di Figaro, and in the 2018/19 season will revive Thaïs for the Metropolitan Opera and Cosi fan tutte for the Lyric Opera of Chicago.
Directors & Baritone/Bass-baritone
Dale Duesing began his musical studies in Milwaukee as a pianist. At Lawrence University in Wisconsin he switched from piano to voice and has subsequently pursued a major international vocal career. After a hugely successful career as a singer performing at the world’s great opera houses and with the world’s great orchestras and conductors he turned to directing. He made his directorial debut at Frankfurt Opera with Viaggio in Rheims to sensational critical acclaim and was nominated for Opernwelt’s best production and best director. He has also directed Medea for the Nationale Reisopera and The Rape of Lucretia and Les Contes d’Hoffmann also for Frankfurt Opera.
Martin Duncan was born in London and trained as a stage manager at the London Academy of Music and Dramatic Art. He is equally at home in Opera and Theatre. He was Artistic Director of the Nottingham Playhouse and Joint Artistic Director of the Chichester Festival Theatre. He co-directed and co-wrote the scenario of the world première of The Nutcracker (Matthew Bourne/Opera North, Edinburgh International Festival) and was Associate Director on the Pet Shop Boys’ Performance Tour and has composed music for over 50 theatre productions. In 2012, Martin was an Artistic Adviser for the London Olympic Culture Festival. His many opera productions include the Royal Opera House, Covent Garden; Scottish Opera; English National Opera; the Glyndebourne Festival; the Bayerische Staatsoper in Munich and the Berlin Deutsche Staatsoper
The internationally acclaimed director Sir Nicholas Hytner is equally at home in Theatre, Opera and Film. He started his career with Kent Opera where his productions included The Turn of the Screw, Marriage of Figaro, and King Priam. Subsequent productions include The King Goes Forth to France, The Knot Garden and Don Carlo for the Royal Opera House, Covent Garden; Rienzi, La Forza del Destino, Xerxes (ENO); Giulio Cesare and The Cunning Little Vixen (Paris); Le Nozze di Figaro (Geneva); La Clemenza di Tito (Glyndebourne) and Don Giovanni (Munich). He was artistic director of London’s Royal National Theatre from 2003 to 2015 where he directed many award-winning productions. He was knighted in the 2010 New Year Honours for services to drama.
Jonathan’s most recent opera engagements include Puccini Tosca and Manon Lescaut for the Royal Opera House, Covent Garden; Janáček Katya Kabanova, Adès The Tempest, Mozart Le nozze di Figaro and Moravec The Letter for Santa Fe Opera; Strauss Elektra and Strauss Die Frau ohne Schatten for the Mariinsky Theatre; Tippett A Child of our Time and Wagner The Flying Dutchman for English National Opera; Mozart Don Giovanni, Britten The Turn of the Screw and Rameau Hippolyte et Aricie for Glyndebourne Festival Opera; The Fairie Queen for Glyndebourne, Opéra Comique and at BAM; and The Flying Dutchman for the Royal Danish Opera.
Adrian Noble was the Artistic Director and Chief Executive of the Royal Shakespeare Company from 1990 to 2003. In addition to his theatre work, Adrian has also directed several successful London West End musicals including Chitty Chitty Bang Bang and The Secret Garden.
His most recent opera productions include a new production of Humperdinck Hänsel und Gretel for the Wiener Staatsoper, Mozart Così fan tutte, Le nozze di Figaro and Don Giovanni for Opéra de Lyon, Verdi Macbeth at the Metropolitan Opera,New York Bizet Carmen for the Opéra Comique, Paris Handel Alcina at the Wiener Staastoper, Handel Xerxes for the Theater an der Wien, Verdi Simon Boccanegra for Opera di Roma and Verdi Don Carlos for the Bolshoi Theatre of Russia.
Described by The New York Times as “opera’s disrupter in residence,” director Yuval Sharon has been creating an unconventional body of work that seeks to expand the operatic form.
He founded and serves as Artistic Director of The Industry in Los Angeles, an acclaimed company devoted to new and experimental opera that has brought opera into moving vehicles, operating train stations, and various “non-spaces” such as warehouses, parking lots, and escalator corridors. Sharon conceived, directed, and produced the company’s acclaimed world premieres of Hopscotch, Invisible Cities, and Crescent City. He also devised and directed the company’s two “performance installations”: In C at the Hammer Museum and Nimbus at Walt Disney Concert Hall.
His stage productions in more conventional spaces have been described as “ingenious” (New York Times), “virtuosic” (Opernwelt), “dizzyingly spectacular” (New York Magazine), and “staggering” (Opera News). He is the recipient of the 2014 Götz Friedrich Prize in Germany for his production of John Adams’ Doctor Atomic, originally produced at the Staatstheater Karlsruhe and later presented in Seville’s Teatro de la Maestranza. Sharon also directed a landmark production of John Cage’s Song Books at the San Francisco Symphony and Carnegie Hall with Joan La Barbara, Meredith Monk, and Jessye Norman. His most recent production was Peter Eötvös’s Three Sisters at the Wiener Staatsoper, which lead Opernwelt to call him “one of the most interesting arrivals on the musical landscape.” His production of Cunning Little Vixen, originally produced at the Cleveland Orchestra, will be the first fully-staged opera ever presented in Vienna’s historic Musikverein in October 2017.
Sharon currently has a three-year residency at the Los Angeles Philharmonic, where his projects will include newly commissioned works, site-specific installations, and performances outside the hall. Major upcoming productions include an original setting of War of the Worlds, performed both inside and outside the concert hall simultaneously (Fall 2017); a staging of Mahler’s Das Lied von der Erde with Gustavo Dudamel at the LA Phil (Spring 2018); Lohengrin for the Bayreuth Festival (Summer 2018), and Magic Flute for the Berlin Staatsoper Unter den Linden (February 2019).
Sharon was honored with a 2017 MacArthur Fellowship and a Foundation for Contemporary Art grant for theater. He serves on the board of Opera America, the Artist Council for the Hammer Museum,