Piano, Harpsichord & Fortepiano
Kristian Bezuidenhout is one of today’s most notable and exciting keyboard artists, equally at home on the fortepiano, harpsichord, and modern piano.
Kristian is an Artistic Director of the Freiburger Barockorchester and Principal Guest Director with the English Concert. He is a regular guest with leading ensembles including Les Arts Florissants, Orchestra of the Age of Enlightenment, Koninklijk Concertgebouworkest, Chicago Symphony Orchestra and the Leipzig Gewandhausorchester; and has guest-directed (from the keyboard) the Orchestra of the Eighteenth Century, Tafelmusik, Collegium Vocale, Juilliard 415, Kammerakademie Potsdam and Dunedin Consort (St Matthew Passion).
He has performed with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Giovanni Antonini, Jean-Guihen Queyras, Isabelle Faust, Alina Ibragimova, Carolyn Sampson, Anne Sofie von Otter, Mark Padmore & Matthias Goerne.
Kristian’s rich and award-winning discography on Harmonia Mundi includes the complete keyboard music of Mozart. Recent releases include Winterreisse with Mark Padmore, Bach sonatas for violin and harpsichord with Isabelle Faust and a recording of Haydn piano sonatas.
In the 20/21 season, Kristian appears as a soloist with Essener Philharmoniker/Richard Egarr, Les Arts Florissants/William Christie, Kammerorchester Basel/Giovanni Antonini, Orchestre National de France/Emmanuel Krivine and Oslo Philharmonic Orchestra/Klaus Makela. His play-direct visits include Orchestra of the Eighteenth-Century, Concerto Copenhagen, Scottish Chamber Orchestra, Freiburger Barockorchester and English Concert. Kristian gives solo recitals, continues his close recital partnership with Anne Sofie von Otter and new collaborations with Voces 8 and Niek Baar.
Conductor, cellist & keyboardist
Jonathan Cohen has forged a remarkable career as a conductor, cellist and keyboardist. Well known for his passion and commitment to chamber music Jonathan is equally at home in such diverse activities as baroque opera and the classical symphonic repertoire. He is Artistic Director of Arcangelo, Music Director of Les Violons du Roy, Artistic Director of Tetbury Festival and Artistic Partner of Saint Paul Chamber Orchestra.
During the 20-21 season he returns to Orchestra of the Age of Enlightenment (BBC Proms) and Handel and Haydn Society. He makes his debut at Staatsoper Berlin performing Orfeo with Freiburger Barockorchester and Vocalconsort Berlin in a production by Sasha Waltz Company. Other debuts include Kobe City Chamber Orchestra and Barcelona Symphony Orchestra and he continues his fruitful collaboration in Quebec with Les Violons du Roy.
Jonathan founded Arcangelo in 2010, who strive to perform high quality and specially created projects. He has toured with them to exceptional halls and festivals including Wigmore Hall London, Philharmonie Berlin, Kölner Philharmonie, Vienna Musikverein, Salzburg Festival and Carnegie Hall New York. They made their Proms debut at the Sam Wanamaker Playhouse in 2016 and returned to the Proms in 2018 to present Theodora to a sold-out Royal Albert Hall. They continue with a busy recording schedule to continued acclaim with recent releases such as “Arianna” with Kate Lindsey on Alpha records and Grammy nominated Buxtehude trio sonatas.
Harpsichord & Conductor
Trevor Pinnock is renowned world-wide as a harpsichordist and conductor who pioneered the modern revival of early music performance.
In 1972 he founded the English Concert whose reputation for ground-breaking performances on period instruments led to an extensive contract with Deutsche Grammophon and world-wide tours which included major orchestral works of Bach, Handel, Mozart, Haydn and others, along with choral projects and chamber music. In addition, Pinnock recorded solo works including Bach’s Goldberg Variations and Partitas. He remained Artistic Director of the English Concert until 2003 and since that time he has divided his work between conducting, solo and chamber music engagements and educational projects at the Royal Academy of Music where he is Principal Guest Conductor of the Chamber Orchestra.
He regularly works with Koninklijk Concertgebouworkest Amsterdam, Deutsche Kammerphiharmonie Bremen and Mozarteum Orchester Salzburg. Frequent chamber music partners include flautist Emmanuel Pahud, viola da gamba player Jonathan Manson and violinists Sophie Gent and Matthew Truscott.
In the 20/21 season, Trevor returns to Mozarteum Orchester and Concertgebouworkest. With Orchestre National de France he performs B minor Mass and directs Weinachtsoratorium with L’Orchestra e Coro dell’Accademia Nazionale di Santa Cecilia. He visits San Diego Symphony for a programme of Gabrieli, Dvorak, Mozart and Stravinsky. Trevor is joined by Emmanuel Pahud for concerts with Orchestre de Chambre de Paris and with Maria João Pires he visits Gulbenkian Orchestra. His love of educational work continues with Royal Conservatory Orchestra Toronto and RAM Chamber Orchestra and he enjoys chamber music with Emmanuel Pahud and Jonathan Manson in Amsterdam, Paris and London.
His recent recordings include Book One of Bach’s Well Tempered Clavier and a unique arrangement of the Goldberg Variations by Józef Koffler with Royal Academy of Music Soloists Ensemble.
Trevor Pinnock was awarded a CBE in 1992 and an Officier of the Ordre des Arts et des Lettres in 1998. He is also a recipient of the Wigmore Medal, the York Early Music Centre Lifetime Achievement Award and honorary doctorates from the universities of London, Ottawa, Sheffield and Canterbury.
Conductors & Harpsichord
Peter Whelan is among the most exciting and versatile exponents of historical performance of his generation, with a remarkable career as a conductor, keyboardist and solo bassoonist. He is Artistic Director of the Irish Baroque Orchestra and founding Artistic Director of Ensemble Marsyas. Recent engagements have included appearances with the Stavanger Symphony Orchestra, Academy of Ancient Music, Portland Baroque Orchestra, Scottish Chamber Orchestra, the English Concert, Irish Chamber Orchestra, Netherlands Chamber Orchestra and Beethoven Orchester Bonn.
As conductor, Peter has a particular passion for exploring and championing neglected music from the Baroque era. Recent projects funded by The Arts Council (Ireland) and Creative Scotland involved recreating and staging live performances of choral and symphonic music from eighteenth-century Dublin and Edinburgh. This led to his award-winning disc ‘Edinburgh 1742’ for Linn Records and his 2017 reconstruction of the ‘Irish State Musick’ in its original venue of Dublin Castle.
Peter’s performances with the Irish Baroque Orchestra in 20/21 include Bach Brandenburg Concertos, Purcell Hail Bright Cecilia and Handel Messiah. With Irish National Opera and Irish Chamber Orchestra he performs Mozart Entführung aus dem Seraglio and Vivaldi Bajazet in a co-production with Royal Opera House, Covent Garden. He makes his conducting debut with Scottish Chamber Orchestra in a programme of Bach and Vivaldi with mezzo soprano Katie Bray.
Ensemble Marsyas has performed internationally under Peter’s direction including performances at the Lammermuir Festival, Göttingen Handel Festival, Tetbury Festival and at Great Music in Irish Houses. During their 2020 Wigmore Hall residency, The Telegraph described Ensemble Marsyas as ‘very possibly this country’s finest period group – led by Peter Whelan, they perform with wonderful élan, transmitting their total enjoyment’.
Peter’s conducting in live performance and the recording studio has been widely praised for its “rich insight, style and charisma” (Guardian), its “stylish verve” (BBC Music Magazine), its “exuberance and elegance” (Irish Examiner), and its “slick tempi, grit and character” (Golden Plec).