Conductors & Piano
Thomas Adès CBE
Renowned as both a composer and a performer, Thomas Adès works regularly with the world’s leading orchestras, opera companies and festivals.
As a conductor, Thomas appears regularly with the Los Angeles, San Francisco and London Philharmonic orchestras, the Boston, London, BBC, Finnish Radio and City of Birmingham, Symphony Orchestras, the Royal Concertgebouworkest, Leipzig Gewandhaus and the Orchestra of Santa Cecilia. In opera, in addition to The Exterminating Angel, he has conducted The Rake’s Progress at the Royal Opera House and the Zürich Opera, The Tempest at the Metropolitan Opera and Vienna State Opera, and Gerald Barry’s latest opera Alice’s Adventures Under Ground in Los Angeles (world premiere) and in London (European premiere).
In the 2020-21 season Thomas is a featured composer at the Elbphilharmonie and will conduct the NDR Elbphilharmonie Orchestra and Deustche Kammerphilharmonie Bremen in Europe. In the USA, he returns to the Los Angeles, Boston and Chicago Symphony Orchestras, as well as the Cleveland Orchestra. To celebrate his fiftieth birthday in 2021, the Barbican Centre will host a celebration that includes a performance of Totentanz by the London Symphony Orchestra and an in-concert performance of The Tempest by Britten Sinfonia, both conducted by the composer.
American cellist Ifetayo Ali-Landing is quickly establishing herself as one of today’s leading young artists, earning praise for her “charismatic” playing (Chicago Tribune) and being described as a “powerhouse” by Classical MPR.
In 2017, Ali-Landing won the First Place Laureate of the Sphinx Competition’s Junior Division and has since gone on to perform with the Chicago Symphony Orchestra at Ravinia (under Marin Alsop), Detroit Symphony Orchestra, Pittsburgh Symphony, New World Symphony, Chicago Sinfonietta, Wilmington (NC), South Bend, Southwest Michigan and Elgin Symphonies, Buffalo Philharmonic, and Vermont Symphony Orchestra on a state-wide tour; recitals include the Kansas City Harriman-Jewell Series and The National Arts Club, among many others.
Ali-Landing features frequently in the media, with notable appearances on NPR’s From The Top (where she performed Vivaldi with Kevin Olusola beatboxing), a residency as Young Artist with APM’s Performance Today, and a TED talk at [email protected]
Her musical studies began on the violin before switching to cello at the age of four. Previous teachers and coaches include Lucinda Ali-Landing, Megan Lauterbach, and Martine Benmann at the Hyde Park Suzuki Institute in Chicago, as well as Tahirah Whittington, Oleksa Mycyk, and Hans Jørgen Jensen. She currently studies at the Colburn School in Los Angeles with Clive Greensmith.
Piotr Anderszewski is regarded as one of the outstanding musicians of his generation.
In recent seasons, he has given recitals at London’s Barbican Centre and Royal Festival Hall, the Wiener Konzerthaus, the Berlin Philharmonie, Carnegie Hall New York and the Mariinsky Concert Hall in St Petersburg.
His collaborations with orchestra have included appearances with the Berliner Philharmoniker, the Chicago and London Symphony orchestras, the Philadelphia Orchestra and the Koninklijk Concertgebouworkest. He has also given many performances directing from the keyboard, with orchestras such as the Scottish Chamber Orchestra, Chamber Orchestra of Europe, Sinfonia Varsovia and Deutsche Kammerphilharmonie Bremen.
Piotr has been an exclusive artist with Warner Classics/Erato (previously Virgin Classics) since 2000. His first recording for the label was Beethoven’s Diabelli Variations, which went on to receive a number of prizes including an ECHO Klassik award. He has also recorded a Grammy-nominated CD of Bach’s Partitas 1, 3 and 6 and a critically-acclaimed disc of works by Chopin. Piotr’s most recent disc of Bach’s English Suites nos. 1, 3 and 5 was released in November 2014, going on to win both a Gramophone award and an ECHO Klassik award in 2015.
Saleem Ashkar made his Carnegie Hall debut at the age of 22 and has since gone on to establish an international career. Recent and future concerto highlights include the Orchestre de la Suisse Romande, Konzerthausorchester Berlin and the St Louis, Vancouver and Tokyo Metropolitan Symphony Orchestras.
He has also performed with the Wiener Philharmoniker, Royal Concertgebouw, London Symphony, Detroit Symphony, Deutsches Symphonie-Orchester Berlin, Orchestre National de Lyon and on a three week tour to Australia. Saleem has a close relationship with many leading conductors including David Afkham, Daniel Barenboim, Riccardo Chailly, Jakub Hrůša, Pietari Inkinen, Fabio Luisi, Zubin Mehta, Riccardo Muti, Kazushi Ono and Nikolaj Szeps-Znaider.
A dedicated recitalist and chamber musician, Saleem has a particularly strong reputation as a Beethoven specialist and has recently performed a complete Sonata cycle in Prague, Duisburg and at the Konzerthaus Berlin. This season he will performing a series of recitals in Copenhagen and Milan exploring the early, middle and late sonatas of Beethoven alongside other composers that were influenced by him. Other recent and future recital appearances include the Wigmore and Queen Elizabeth Halls in London, the Elbphilharmonie Hamburg and Musikverein Vienna.
Saleem’s most recent recordings have been for Decca Records. They have released the Mendelssohn Piano Concertos with the Leipzig Gewandhaus and Chailly and two Beethoven Concertos with the NDR Elbphilharmonie and Ivor Bolton. Saleem is also recording the complete Beethoven Piano Sonata cycle for Decca, the first three discs of which are already released.
Born in Lvov, Poland, Emanuel Ax moved to Winnipeg, Canada, with his family when he was a young boy. His studies at the Juilliard School were supported by the sponsorship of the Epstein Scholarship Program of the Boys Clubs of America, and he subsequently won the Young Concert Artists Award. Emanuel captured public attention in 1974 when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv and in 1979 he won the coveted Avery Fisher Prize in New York.
This season Emanuel joins the Wiener Philharmoniker and long-time collaborative partner Bernard Haitink at the Salzburg, BBC Proms and Lucerne Festivals, as well as the London Symphony Orchestra and Sir Simon Rattle on an extensive tour of China and Hong Kong, and joining the Rotterdam Philharmonic at home in the Netherlands and on tour to the United States. He also returns to the Frankfurt Radio Symphony Orchestra, Chamber Orchestra of Europe, Deutsches Symphonie-Orchester Berlin, Accademia Nazionale di Santa Cecilia and Tonhalle Zurich, playing concertos by Brahms, Mozart and Chopin. During Summer 2020 Emanuel will also join the Staatskapelle Dresden on tour in the Mediterranean with Myung-Whun Chung.
He also performs extensively in North America, including three concerts with regular partners Leonidas Kavakos and Yo-Yo Ma at Carnegie Hall in March 2020.
Emanuel has been a Sony Classical exclusive recording artist since 1987.
Click here to download Emanuel Ax’s full 2019/20 biography.
Piano & Conductors
Daniel Barenboim was born in Buenos Aires in 1942, and studied piano under his parents. At age 11, he took part in conducting classes in Salzburg, under Igor Markevich
In 1954, Daniel began his recording career as a pianist. In the 1960s, he recorded Beethoven’s Piano Concertos with Otto Klemperer, Brahm’s Piano Concertos with Sir John Barbirolli, and the Mozart piano concertos with the English Chamber Orchestra, this time serving both as pianist and conductor.
Ever since his conducting debut in 1967 in London with the Philharmonia Orchestra, Daniel has been in great demand with leading orchestras around the world. Between 1975 and 1989, he was principal conductor of the Orchestre de Paris, and he held the position of Music Director of the Chicago Symphony Orchestra between 1991 and 2006. Since 1992, Barenboim has been General Music Director of the Staatsoper Unter den Linden, where he was also artistic director from 1992 to August 2002. In 2000, the Staatskapelle Berlin appointed him Principal Conductor for Life, and in March 2003, he and the Staatskapelle were honoured with the Wilhelm-Furtwängler-Preis.
Beside his great classic-romantic repertoire, Daniel continues to focus on contemporary music.
“One of the most admired pianists of his generation” (New York Times), Inon Barnatan is celebrated for his poetic sensibility, musical intelligence, and consummate artistry. He inaugurates his tenure as Music Director of California’s La Jolla Music Society Summerfest in July 2019. The coming season brings the release of a two-volume set of Beethoven’s complete piano concertos, which he recorded for Pentatone with Alan Gilbert and London’s Academy of St. Martin in the Fields.
Highlights of the 2019/20 season include debuts with Orquesta Sinfonica de Tenerife, Tiroler Landestheater und Orchester, Stuttgarter Philharmoniker, Royal Stockholm Philharmonic, Orquestra Sinfònica de Barcelona i Nacional de Catalunya, Dresdner Philharmonie and Tokyo Symphony Orchestra. He will also be performing extensively throughout the United States, with orchestras such as the Los Angeles Philharmonic, Chicago Symphony Orchestra, New Jersey Symphony Orchestra, Cincinnati Symphony Orchestra, Charlotte Symphony Orchestra, Minnesota Orchestra, Grand Rapids Symphony, Rochester Philharmonic Orchestra and San Diego Symphony. Inon also makes his solo recital debut at Carnegie’s Zankel Hall, returns to Alice Tully Hall with Chamber Music Society of Lincoln Center, and reunites with his frequent recital partner, cellist Alisa Weilerstein, for tours on both sides of the Atlantic. The first takes them to Wigmore Hall (London), Royal Concertgebouw (Amsterdam) and La Verdi Auditorium (Milan), while the second sees them celebrate Beethoven’s 250th anniversary with performances of his complete cello sonatas in San Francisco and other U.S. cities.
Born in Tel Aviv in 1979, Inon went on to study at London’s Royal Academy of Music. He is a recipient of both the Avery Fisher Career Grant and Lincoln Center’s Martin E. Segal Award, and currently resides in New York.
For Inon’s full biography, please download the Publicity Pack.
Scoring the highest marks from juries for her musicality, personality and technique, Marianna won many international prizes, among others 2nd Prize and Yamaha Special Young Artists Prize at the 74th Concours de Genève 2019, ‘Prix Credit Suisse Jeunes Solistes 2019’, ‚Grand Prix’ at the International Music Competition ENKOR 2018, 2nd Prize and the Special Prize ‚Best Performance of a Belgian Composition’ at the Universal Marimba Competition of the Belgian Queen (Belgium 2017), 1st Prize and the Special Prize at the International Percussion Competition at Northwestern (Chicago, USA 2016), 1st Prize and the Special Prize of the Bayerischer Rundfunk at the International Marimba Competition in Bamberg (Germany 2016), 1st Prize at the International Marimba Competition in Paris (France 2009), 1st Prize at the International Marimba Competition in Fermo (Italy 2008) and 1st Prize and the Special Prize at the International Percussion Competition in Plovdiv (Bulgaria 2007). She was also a finalist in the National Eurovision Competition ‘Young Musician of the Year 2009’.
As a soloist, Marianna Bednarska preformed in many prestigious concert halls in Poland and abroad (USA, Germany, Austria, Holland, Danemark, Belgium, France, Switzerland, Italy, Croatia, Bularia, Ukraine), also with orchestras such as Orchestre de la Suisse Romande, Sinfonia Varsovia, Aalborg Symphony Orchestra, Polish Radio Orchestra in Warsaw, Sinfonia Iuventus, International Chamber Orchestra of Washington, Lviv Philharmony Orchestra and Lviv Virtuosos.
She received scholarships from the Polish Government, Swiss Government, Sinfonia Varsovia Foundation of Franciszek Wybranczyk, Crescendum Est Polonia and Kunststiftung Baden- Württemberg. In 2013 Marianna Bednarska was awarded with the ‘Polish-Danish Friendship Prize’ for her close connection with Danish musical life, culminating in the CD recording of Anders Koppel’s four Marimba Concertos (DACAPO Records, 2014) which got extremely positive reviews (The New York Times, Gramophone, Deutschlandfunk, Fanfare Magazine etc.). She also created recordings for the Bayerischer Rundfunk as well as for Polskie Wydawnictwo Muzyczne in it’s project ‘100 for 100. Musical Decades of Independence’.