Piano, Harpsichord & Fortepiano

Kristian Bezuidenhout

Kristian Bezuidenhout is one of today’s most notable and exciting keyboard artists, equally at home on the fortepiano, harpsichord, and modern piano. Born in South Africa in 1979, he began his studies in Australia, completed them at the Eastman School of Music, and now lives in London.
Kristian is a regular guest with the world’s leading ensembles including the Freiburger Barockorchester, Les Arts Florissants, Orchestre des Champs Elysées, Chicago Symphony Orchestra and the Leipzig Gewandhausorchester; and has guest-directed (from the keyboard) the English Concert, Orchestra of the Eighteenth Century, Collegium Vocale,  and Dunedin Consort .
He has performed with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Giovanni Antonini, Isabelle Faust, Alina Ibragimova, Rachel Podger, Carolyn Sampson, Anne Sofie von Otter and Mark Padmore.

In the 2019-20 season, Kristian play-directs programmes with the Handel & Haydn Society, Scottish Chamber Orchestra and Kammerorchester Basel as well as Freiburger Barockorchester and the English Concert. He features as a Portrait Artist for the 19-20 season at BOZAR and is Artist in Residence at Köln Philharmonie.  He has recitals and chamber music performances with Anne Sofie von Otter, Mark Padmore, Benjamin Appl, Carolyn Sampson in concert halls and festivals in Seattle, New York, Amsterdam, Paris, Frankfurt, Madrid and Salzburg.

 

Violin & Conductors

Guy Braunstein

Violinist Guy Braunstein was born in Tel Aviv and studied under the guidance of Chaim Taub and later in New York with Glenn Dicterow and Pinchas Zuckerman.

He started performing as an international soloist and a chamber musician at a young age and has since performed with many of the world’s greatest orchestras and conductors.  His chamber music collaborations have included projects with Issac Stern, András Schiff, Zubin Mehta, Maurizio Pollini, Yefim Bronfman, Daniel Barenboim, Sir Simon Rattle, Mitsuko Uchida and Angelika Kirschlager to name a few.

He was the youngest person ever to be appointed concertmaster of the Berliner Philharmoniker in 2000, a position he held for twelve years before leaving to pursue his solo career.

Recent highlights include the position of Artist-in-Residence with the Trondheim Symphoniker for the 17/18 season which showcased Guy’s multi-faceted musicianship with projects as both conductor and soloist. Further highlights include concerto debuts with Maggio Musicale Fiorentino & the Tampere Philharmonia. Recent conducting highlights include debuts with the Queensland Symphony Orchestra as well as returns to the Pierre Boulez saal for recital performances at the Elbphilharmonie with the Hamburger Symphoniker, where he holds the position of Associate Artist. Highlights in 18/19 include return concerts as both soloist and conductor with the Trondheim Symphoniker and Hamburger Symphoniker as well as a concerto debut with the Ulster Orchestra. Guy will also debut with the Israel Chamber Orchestra as both soloist and conductor in the same concert.

Guy plays a rare violin made by Francesco Roggieri in 1679.

Formed in 2005, Chiaroscuro Quartet comprises violinists Alina Ibragimova (Russia) and Pablo Hernán Benedí (Spain), Swedish violist Emilie Hörnlund and cellist Claire Thirion from France. Dubbed ‘a trailblazer for the authentic performance of High Classical chamber music’ in Gramophone, this international ensemble performs music of the Classical and early Romantic periods on gut strings and with historical bows. The quartet’s unique sound – described in The Observer as ‘a shock to the ears of the best kind’ – is highly acclaimed by audiences and critics all over Europe.

Their growing discography includes recordings of music by Mozart, Beethoven, Schubert, Mendelssohn and Haydn. Among the ensemble’s chamber music partners are renowned artists such as Kristian Bezuidenhout, Trevor Pinnock, Jonathan Cohen, Nicolas Baldeyrou, Chen Halevi, Malcolm Bilson and Christophe Coin.

Recent engagements included their enthusiastically received debut concerts at Vienna Konzerthaus, a return visit to Japan and  their debut tour of the US.  Other highlights have taken the ensemble to the Edinburgh International Festival, Concertgebouw Amsterdam, London’s Wigmore Hall and Auditorio Nacional de Música Madrid.

In the 2019-20 season, Chiaroscuro Quartet give concerts in the UK, including Wigmore Hall and King’s Place, their debut recital at Boulez Saal Berlin, perform Beethoven quartets at the Beethoven Haus Bonn and appear at numerous other venues and festivals throughout Europe including Luxembourg, Katowice, Lisbon and Warsaw.

Conductor, cellist & keyboardist

Jonathan Cohen

Jonathan Cohen has forged a remarkable career as a conductor, cellist and keyboardist. Well known for his passion and commitment to chamber music Jonathan is equally at home in such diverse activities as baroque opera and the classical symphonic repertoire. He is Artistic Director of Arcangelo, Music Director of Les Violons du Roy,  Artistic Director of Tetbury Festival and Artistic Partner of the Saint Paul Chamber Orchestra.

During the 19-20 season he makes return visits to the Orchestra of the Age of Enlightenment, Budapest Festival Orchestra and Iceland Symphony Orchestra and debuts with the Handel and Haydn Society, Lucerne and Cincinnati Symphony Orchestras and the Scottish Ensemble. He tours the USA with Les Violons du Roy and continues his collaboration with the Saint Paul Chamber Orchestra.

Jonathan founded Arcangelo in 2010, who strive to perform high quality and specially created projects. He has toured with them to exceptional halls and festivals including Wigmore Hall London, Philharmonie Berlin, Kölner Philharmonie, Vienna Musikverein, Salzburg Festival and Carnegie Hall New York.

Regarded as one of the finest interpreters of Classical and Romantic repertoire, Imogen Cooper is internationally renowned for her virtuosity and lyricism. Recent and future concerto performances include the Berliner Philharmoniker and Sir Simon Rattle, Sydney Symphony with Simone Young and the BBC Scottish Symphony Orchestra with Thomas Dausgaard.

Imogen has a widespread international career and has appeared with the New York Philharmonic, Vienna Philharmonic, Royal Concertgebouw, Leipzig Gewandhaus, Budapest Festival, NHK and London Symphony Orchestras. Her recital appearances have included Tokyo, New York, Singapore, Paris, Vienna, Prague and the Schubertiade in Schwarzenberg.

Imogen is a committed chamber musician and performs regularly with Henning Kraggerud and Adrian Brendel. As a Lieder recitalist, she has had a long collaboration with Wolfgang Holzmair in both the concert hall and recording studio. Her recent solo recordings for Chandos Records feature music by Brahms, Chopin, Liszt, Wagner and Robert and Clara Schumann.

Imogen received a CBE in the Queen’s New Year Honours in 2007 and was the recipient of an award from the Royal Philharmonic Society the following year. In 1997 she was awarded Honorary Membership of the Royal Academy of Music and in 1999 she was made a Doctor of Music at Exeter University. The Imogen Cooper Music Trust was founded in 2015, to support young pianists at the cusp of their careers, and give them time in an environment of peace and beauty.

Veronika Eberle’s exceptional talent and the poise and maturity of her musicianship have been recognised by many of the world’s finest orchestras, venues and festivals, as well as by some of the most eminent conductors.

In 18/19, Veronika will be artist in residence with the Jena Philharmonic Orchestra which will include concerto performances and recitals as well as educational projects and masterclasses. Debuts include with the Atlanta, Ulster, Danish Radio and Swedish Radio (Harding) Symphony orchestras as well as with the Luxembourg Philharmonic, Tokyo Symphony and Kansai Philharmonic Orchestras. Veronika will also tour Spain with the Hamburg Philharmonic Orchestra conducted by Kent Nagano.

Sir Simon Rattle’s introduction of Veronika aged just 16 to a packed Salzburg Festpielhaus at the 2006 Salzburg Easter Festival in a performance of the Beethoven concerto with the Berliner Philharmoniker, brought her to international attention. Key orchestra collaborations since then include the London Symphony (Rattle), Concertgebouw (Holliger), New York Philharmonic (Gilbert), Montreal Symphony (Nagano), Munich Philharmonic and Gewandhaus Orchestras (Langree), Rundfunk Sinfonieorchester Berlin (Janowski), Hessischer Rundfunk Sinfonieorchester (P.Järvi), Bamberger Symphoniker (Ticciati, Nott), Tonhalle Orchester Zurich (M.Sanderling), NHK Symphony (Kout, Stenz, Norrington) and Rotterdam Philharmonic (Rattle, Gaffigan, Nézet-Seguin).

Born in Donauwörth Southern Germany, she started violin lessons at the age of six and four years later became a junior student at the Richard Strauss Konservatorium in Munich with Olga Voitova. After studying privately with Christoph Poppen for a year, she joined the Hochschule in Munich, where she studied with Ana Chumachenco 2001-2012.

Veronika Eberle plays the ‘Dragonetti’ Stradivarius (1700), on generous loan from the Nippon Music Foundation.

Vilde Frang’s profound musicianship and exceptional lyricism has elevated her as one of the leading and most individual young artists.

In 2012 she was unanimously awarded the Credit Suisse Young Artists Award which led to her debut with the Wiener Philharmoniker under Bernard Haitink at the Lucerne Festival.

Regularly appearing with the world’s leading orchestras, 2016 saw Vilde make her acclaimed debut with the Berliner Philharmoniker under Sir Simon Rattle as part of their Europa Konzert; she returned during the 17-18 season for subscription concerts at the Philharmonie and the Baden Baden Easter Festival with Ivan Fischer. Other recent highlights have included performances with the San Francisco and Pittsburgh Symphonies, Munich and LA Philharmonics, Bamberger Symphoniker, Leipzig Gewandhaus Orchester, Orchestre de Paris and Frankfurt Radio Symphony Orchestra, as well as extensive European tours with the Deutsche Symphonie Orchester Berlin and the Orchestre Philharmonique de Luxembourg.

The 2019-20 season sees Vilde give several highly anticipated debuts with the Bayerische Staatsorchester, Les Siècles and London Symphony Orchestra with Antonio Pappano. She will also embark on a tour with Rotterdam Philharmonic and Lahav Shani which will include her return to the Lucerne Festival. Other highlights of the season include engagements with Tonhalle Orchester Zürich, Cleveland Orchestra, the Deutsches Symphonie Orchester Berlin, the BBC Symphony Orchestra as well as the Budapest Festival Orchestra with Mark Elder. Performing with the Oslo Philharmonic twice this season, Vilde will give concerts with Vasily Petrenko as well as Herbert Blomstedt performing the Elgar Violin Concerto and Beethoven Violin Concerto respectively. Vilde will also return to China as part of a tour with the Bamberger Symphoniker with Jakub Hrůša.

Vilde Frang is an exclusive Warner Classics artist and her recordings have received numerous awards.  She is the recipient of the Classic BRIT Award, “Diapason d’Or” by Diapason Magazine, Académie Charles Cros’ «Grand Prix du Disque», Deutsche Schallplattenpreis and the Echo Klassik Award.  She also received a Gramophone Award in the Concerto category for her recording of Korngold’s Violin Concerto and Britten’s Violin Concerto.

A stunningly virtuosic pianist, Alexander is internationally recognised for his electrifying and poetic performances. Gavrylyuk launched his 2017/18 season with a BBC Proms performance of Rachmaninov’s Third Piano Concerto described as “revelatory” by The Times and “electrifying” by Limelight.

Highlights of the 2019/20 season include: debuts with San Francisco Symphony, San Diego Symphony, Detroit Symphony Orchestra, Dallas Symphony Orchestra, Orchestre National de Lyon, BBC Philharmonic Orchestra, NDR Elbphilharmonie Orchester and Orchestre Philharmonique Royal de Liège, as well as return visits to Philharmonia Orchestra, Hallé Orchestra, Rotterdam Philharmonic Orchestra and São Paulo Symphony Orchestra.

Alexander also appears in solo recital at prestigious venues through Europe, including Wigmore Hall, Muziekgebouw Frits Philips Eindhoven, Perth Concert Hall, Palace of Arts Budapest, Lille Piano Festival and throughout Australia.

Born in Ukraine in 1984 and holding Australian citizenship, Alexander began his piano studies at the age of seven and gave his first concerto performance when he was nine years old. At the age of 13, Alexander moved to Sydney where he lived until 2006. He won First Prize and Gold Medal at the Horowitz International Piano Competition (1999), First Prize at the Hamamatsu International Piano Competition (2000), and Gold Medal at the Arthur Rubinstein International Piano Masters Competition (2005). He has since gone on to perform with many of the world’s leading orchestras and conductors.

Alexander is Artist in Residence at Chautauqua Institution where he leads the piano program as an artistic advisor. He supports a number of charities including Theme and Variations Young Pianist Trust which aims to provide support and encouragement to young, aspiring Australian pianists as well as Opportunity Cambodia, which has built a residential educational facility for Cambodian children.