Piano, Harpsichord & Fortepiano

Kristian Bezuidenhout

Kristian Bezuidenhout is one of today’s most notable and exciting keyboard artists, equally at home on the fortepiano, harpsichord, and modern piano. Born in South Africa in 1979, he began his studies in Australia, completed them at the Eastman School of Music, and now lives in London.
Kristian is a regular guest with the world’s leading ensembles including the Freiburger Barockorchester, Les Arts Florissants, Orchestre des Champs Elysées, Chicago Symphony Orchestra and the Leipzig Gewandhausorchester; and has guest-directed (from the keyboard) the English Concert, Orchestra of the Eighteenth Century, Collegium Vocale,  and Dunedin Consort .
He has performed with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Giovanni Antonini, Isabelle Faust, Alina Ibragimova, Rachel Podger, Carolyn Sampson, Anne Sofie von Otter and Mark Padmore.

In the 2019-20 season, Kristian play-directs programmes with the Handel & Haydn Society, Scottish Chamber Orchestra and Kammerorchester Basel as well as Freiburger Barockorchester and the English Concert. He features as a Portrait Artist for the 19-20 season at BOZAR and is Artist in Residence at Köln Philharmonie.  He has recitals and chamber music performances with Anne Sofie von Otter, Mark Padmore, Benjamin Appl, Carolyn Sampson in concert halls and festivals in Seattle, New York, Amsterdam, Paris, Frankfurt, Madrid and Salzburg.

 

Violin & Conductors

Guy Braunstein

Violinist Guy Braunstein was born in Tel Aviv and studied under the guidance of Chaim Taub and later in New York with Glenn Dicterow and Pinchas Zuckerman.

He started performing as an international soloist and a chamber musician at a young age and has since performed with many of the world’s greatest orchestras and conductors.  His chamber music collaborations have included projects with Issac Stern, András Schiff, Zubin Mehta, Maurizio Pollini, Yefim Bronfman, Daniel Barenboim, Sir Simon Rattle, Mitsuko Uchida and Angelika Kirschlager to name a few.

He was the youngest person ever to be appointed concertmaster of the Berliner Philharmoniker in 2000, a position he held for twelve years before leaving to pursue his solo career.

Recent highlights include the position of Artist-in-Residence with the Trondheim Symphoniker for the 17/18 season which showcased Guy’s multi-faceted musicianship with projects as both conductor and soloist. Further highlights include concerto debuts with Maggio Musicale Fiorentino & the Tampere Philharmonia. Recent conducting highlights include debuts with the Queensland Symphony Orchestra as well as returns to the Pierre Boulez saal for recital performances at the Elbphilharmonie with the Hamburger Symphoniker, where he holds the position of Associate Artist.

In 19/20, Guy will be Artist in Residence with the Cincinnati Symphony Orchestra and will return to the Trondheim Symphony Orchestra and Symphoniker Hamburg as both soloist, conductor and in play-direct capacities. Other highlights include debuts with the Vancouver Symphony and Helsinki Philharmonic Orchestra’s as well as concerts with the Dresdner Philharmonie, Sinfonie Orchester Berlin, Orquestra Sinfonica de Barcelona, Lapland Chamber Orchestra and Queensland Symphony Orchestra’s and extensive touring with the Israel Netanya Kibbutz Orchestra

Guy plays a rare violin made by Francesco Roggieri in 1679.

The pianist Elisabeth Brauß has been praised by Gramophone Magazine for “the maturity and sophistication of her thoughtful interpretations” which “would be the pride of any pianist twice her age”. Born in Hannover in 1995, Elisabeth is quickly establishing herself as one of the most exciting and versatile musicians of her generation. She is currently a member of the BBC New Generation Artist scheme.

In addition to winning first prize at the International Steinway Competition in Hamburg, and the International Grotrian Steinweg Piano Competition in Braunshweig, Elisabeth was awarded the Prätorius Musikpreis Lower Saxony Prize in 2012. Further accolades include the main and audience awards at the TONALi Grand Prix in Hamburg (2013) and first prize at the Kissinger KlavierOlymp (October 2016).

Elisabeth has worked with orchestras including Frankfurt Radio Symphony, Deutsche Kammerphilharmonie Bremen, BBC Scottish Symphony, NDR Elbphilharmonie Hannover, Dortmund Symphoniker and Bochum Symphony. The start of the 19/20 season saw Elisabeth make her BBC Proms in the Park debut in Belfast with the Ulster Orchestra. Further highlights of the season include concerto appearances with BBC Symphony, BBC Philharmonic and Südwestdeutsche Kammersinfonie amongst others.

A keen chamber musician, Elisabeth collaborates regularly with the violinist Noa Wildschut, and the 19/20 season sees a major European tour of venues including Concertgebouw, Philharmonie de Paris, Elbphilharmonie Hamburg, Palau de la Musica Barcelona, Cologne Philharmonie & Barbican Centre. Elisabeth is also in demand for her solo recitals and appears at venues including Wigmore Hall, Schleswig Holstein Festival and Snape Maltings Festival.

In May 2017, her debut CD featuring works by Beethoven, Prokofiev, Chopin and Denhoff, was released by OehmsClassics. It received critical acclaim and was named as ‘Editor’s Choice’ by Gramophone Magazine.

Formed in 2005, Chiaroscuro Quartet comprises violinists Alina Ibragimova (Russia) and Pablo Hernán Benedí (Spain), Swedish violist Emilie Hörnlund and cellist Claire Thirion from France. Dubbed ‘a trailblazer for the authentic performance of High Classical chamber music’ in Gramophone, this international ensemble performs music of the Classical and early Romantic periods on gut strings and with historical bows. The quartet’s unique sound – described in The Observer as ‘a shock to the ears of the best kind’ – is highly acclaimed by audiences and critics all over Europe.

Their growing discography includes recordings of music by Mozart, Beethoven, Schubert, Mendelssohn and Haydn. Among the ensemble’s chamber music partners are renowned artists such as Kristian Bezuidenhout, Trevor Pinnock, Jonathan Cohen, Nicolas Baldeyrou, Chen Halevi, Malcolm Bilson and Christophe Coin.

Recent engagements included their enthusiastically received debut concerts at Vienna Konzerthaus, a return visit to Japan and  their debut tour of the US.  Other highlights have taken the ensemble to the Edinburgh International Festival, Concertgebouw Amsterdam, London’s Wigmore Hall and Auditorio Nacional de Música Madrid.

In the 2019-20 season, Chiaroscuro Quartet give concerts in the UK, including Wigmore Hall and King’s Place, their debut recital at Boulez Saal Berlin, perform Beethoven quartets at the Beethoven Haus Bonn and appear at numerous other venues and festivals throughout Europe including Luxembourg, Katowice, Lisbon and Warsaw.

Conductor, cellist & keyboardist

Jonathan Cohen

Jonathan Cohen has forged a remarkable career as a conductor, cellist and keyboardist. Well known for his passion and commitment to chamber music Jonathan is equally at home in such diverse activities as baroque opera and the classical symphonic repertoire. He is Artistic Director of Arcangelo, Music Director of Les Violons du Roy,  Artistic Director of Tetbury Festival and Artistic Partner of the Saint Paul Chamber Orchestra.

During the 19-20 season he makes return visits to the Orchestra of the Age of Enlightenment, Budapest Festival Orchestra and Iceland Symphony Orchestra and debuts with the Handel and Haydn Society, Lucerne and Cincinnati Symphony Orchestras and the Scottish Ensemble. He tours the USA with Les Violons du Roy and continues his collaboration with the Saint Paul Chamber Orchestra.

Jonathan founded Arcangelo in 2010, who strive to perform high quality and specially created projects. He has toured with them to exceptional halls and festivals including Wigmore Hall London, Philharmonie Berlin, Kölner Philharmonie, Vienna Musikverein, Salzburg Festival and Carnegie Hall New York.

Regarded as one of the finest interpreters of Classical and Romantic repertoire, Imogen Cooper is internationally renowned for her virtuosity and lyricism. Recent and future concerto performances include the Berliner Philharmoniker and Sir Simon Rattle, Sydney Symphony with Simone Young and the BBC Scottish Symphony Orchestra with Thomas Dausgaard.

Imogen has a widespread international career and has appeared with the New York Philharmonic, Vienna Philharmonic, Royal Concertgebouw, Leipzig Gewandhaus, Budapest Festival, NHK and London Symphony Orchestras. Her recital appearances have included Tokyo, New York, Singapore, Paris, Vienna, Prague and the Schubertiade in Schwarzenberg.

Imogen is a committed chamber musician and performs regularly with Henning Kraggerud and Adrian Brendel. As a Lieder recitalist, she has had a long collaboration with Wolfgang Holzmair in both the concert hall and recording studio. Her recent recordings for Chandos Records feature music by French and Spanish composers, Beethoven, Liszt and Wagner.

Imogen received a CBE in the Queen’s New Year Honours in 2007 and was the recipient of an award from the Royal Philharmonic Society the following year. In 1997 she was awarded Honorary Membership of the Royal Academy of Music and in 1999 she was made a Doctor of Music at Exeter University. The Imogen Cooper Music Trust was founded in 2015, to support young pianists at the cusp of their careers, and give them time in an environment of peace and beauty.

Veronika Eberle’s exceptional talent and the poise and maturity of her musicianship have been recognised by many of the world’s finest orchestras, venues and festivals, as well as by some of the most eminent conductors.

Sir Simon Rattle’s introduction of Veronika aged just 16 to a packed Salzburg Festpielhaus at the 2006 Salzburg Easter Festival in a performance of the Beethoven concerto with the Berliner Philharmoniker, brought her to international attention. Key orchestra collaborations since then include the London Symphony (Rattle), Concertgebouw (Holliger), New York Philharmonic (Gilbert), Montreal Symphony (Nagano), Munich Philharmonic and Gewandhaus Orchestras (Langree), Rundfunk Sinfonieorchester Berlin (Janowski), Hessischer Rundfunk Sinfonieorchester (P.Järvi), Bamberger Symphoniker (Ticciati, Nott), Tonhalle Orchester Zurich (M.Sanderling), NHK Symphony (Kout, Stenz, Norrington) and Rotterdam Philharmonic (Rattle, Gaffigan, Nézet-Seguin).

Born in Donauwörth Southern Germany, she started violin lessons at the age of six and four years later became a junior student at the Richard Strauss Konservatorium in Munich with Olga Voitova. After studying privately with Christoph Poppen for a year, she joined the Hochschule in Munich, where she studied with Ana Chumachenco 2001-2012.

Veronika Eberle plays the ‘Dragonetti’ Stradivarius (1700), on generous loan from the Nippon Music Foundation.

Forthcoming highlights for Tobias include concerto dates with the Helsinki Philharmonic, Konzerthausorchester Berlin, Tonkünstler-Orchester, Tapiola Sinfonietta, Berner Sinfonieorchester and Moscow State Symphony; alongside recital and chamber performances at Alte Oper Frankfurt, Festspielhaus Baden-Baden, Beethovenhaus Bonn and Schleswig-Holstein Musikfestival.

Since winning major prizes at the Queen Elisabeth and Joseph Joachim Competitions, Tobias has worked with the Residentie Orkest, NDR Radiophilharmonie Orchester, Staatsorchester Hannover, Tampere Philharmonic, Bournemouth Symphony, Utah Symphony, Barcelona Symphony, Concertgebouw Chamber Orchestra and Brussels Philharmonic, collaborating with John Storgårds, Nicholas Collon, Karl-Heinz Steffens, Fabien Gabel, Marin Alsop, Ainārs Rubiķis, Stephan Zillias and Reinhard Goebel amongst others.

An avid chamber musician, Tobias has performed at the Amsterdam Concertgebouw, Wiener Konzerthaus, Schubertiade Schwarzenberg, Vinterfest, and Mecklenburg-Vorpommern, Rheingau and Lockenhaus festivals, partnering with Kian Soltani, Denis Kozhukhin, Maximilian Hornung, Boris Kusnezow and Tabea Zimmermann.