Piano, Harpsichord & Fortepiano

Kristian Bezuidenhout

Kristian Bezuidenhout is one of today’s most notable and exciting keyboard artists, equally at home on the fortepiano, harpsichord, and modern piano. Born in South Africa in 1979, he began his studies in Australia, completed them at the Eastman School of Music, and now lives in London.
Kristian is a regular guest with the world’s leading ensembles including the Freiburger Barockorchester, Les Arts Florissants, Orchestre des Champs Elysées, Chicago Symphony Orchestra and the Leipzig Gewandhausorchester; and has guest-directed (from the keyboard) the English Concert, Orchestra of the Eighteenth Century, Collegium Vocale,  and Dunedin Consort .
He has performed with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Giovanni Antonini, Isabelle Faust, Alina Ibragimova, Rachel Podger, Carolyn Sampson, Anne Sofie von Otter and Mark Padmore.

In the 2018/19 season, Kristian play-directs programmes with Scottish Chamber Orchestra, Irish Baroque Orchestra, as well as Freiburger Barockorchester and English Concert. As a soloist he performs with Cleveland Orchestra, Swedish Chamber Orchestra/Dausgaard, London Symphony Orchestra, Deutsches-Sinfonie Orchester Berlin and Orchestre de Paris. Solo recitals and chamber music take him to Paris, Amsterdam, Madrid, Vienna, New York, Washington DC, Montreal, Vancouver, Zurich and Oxford.

 

Violin & Conductors

Guy Braunstein

Violinist Guy Braunstein was born in Tel Aviv and studied under the guidance of Chaim Taub and later in New York with Glenn Dicterow and Pinchas Zuckerman.

He started performing as an international soloist and a chamber musician at a young age and has since performed with many of the world’s greatest orchestras and conductors.  His chamber music collaborations have included projects with Issac Stern, András Schiff, Zubin Mehta, Maurizio Pollini, Yefim Bronfman, Daniel Barenboim, Sir Simon Rattle, Mitsuko Uchida and Angelika Kirschlager to name a few.

He was the youngest person ever to be appointed concertmaster of the Berliner Philharmoniker in 2000, a position he held for twelve years before leaving to pursue his solo career.

Recent highlights include the position of Artist-in-Residence with the Trondheim Symphoniker for the 17/18 season which showcased Guy’s multi-faceted musicianship with projects as both conductor and soloist. Further highlights include concerto debuts with Maggio Musicale Fiorentino & the Tampere Philharmonia. Recent conducting highlights include debuts with the Queensland Symphony Orchestra as well as returns to the Pierre Boulez saal for recital performances at the Elbphilharmonie with the Hamburger Symphoniker, where he holds the position of Associate Artist. Highlights in 18/19 include return concerts as both soloist and conductor with the Trondheim Symphoniker and Hamburger Symphoniker as well as a concerto debut with the Ulster Orchestra. Guy will also debut with the Israel Chamber Orchestra as both soloist and conductor in the same concert.

Guy plays a rare violin made by Francesco Roggieri in 1679.

Formed in 2005, Chiaroscuro Quartet comprises violinists Alina Ibragimova (Russia) and Pablo Hernán Benedí (Spain), the Swedish violist Emilie Hörnlund and cellist Claire Thirion from France. Dubbed ‘a trailblazer for the authentic performance of High Classical chamber music’ in Gramophone, this international ensemble performs music of the Classical and early Romantic periods on gut strings and with historical bows. The quartet’s unique sound – described in The Observer as ‘a shock to the ears of the best kind’ – is highly acclaimed by audiences and critics all over Europe.

Their growing discography includes recordings of music by Mozart, Beethoven, Schubert, Mendelssohn and Haydn. Chiaroscuro Quartet was a prize-winner of the German Förderpreis Deutschlandfunk/Musikfest Bremen in 2013 and received Germany’s most prestigious CD award, the Preis der Deutschen Schallplattenkritik in 2015 for their recording of Mozart’s Quartet in D minor, K. 421 and Mendelssohn’s Second String Quartet in A minor, Op. 13. Among the ensemble’s chamber music partners are renowned artists such as Kristian Bezuidenhout, Trevor Pinnock, Jonathan Cohen, Nicolas Baldeyrou, Chen Halevi, Malcolm Bilson and Christophe Coin.

Recent engagements included their enthusiastically received debut concerts at Vienna Konzerthaus and Philharmonie Warsaw. In April 2016, the quartet embarked on its first tour to Japan playing concerts in Tokyo and Hyogo. Other highlights have taken the ensemble to the Edinburgh International Festival, Concertgebouw Amsterdam, London’s Wigmore Hall, Auditorio Nacional de Música Madrid, Music Festival Grafenegg, The Sage Gateshead (recorded for BBC Radio 3), Auditorium du Louvre Paris, Théâtre du Jeu-de-Paume in Aix-en-Provence, Grand Théâtre de Dijon, Gulbenkian Foundation Lisbon, West Cork Festival and for a residency to Aldeburgh.

In the 2018/19 season, Chiaroscuro Quartet gives various concerts in the UK, including Wigmore Hall with Annelien van Wauwe, have a return tour to Japan and are Menuhin Festival Artists at Gstaad Festival. With Kristian Bezuidenhout they perform in Southampton, Bristol, Madrid, Vienna, Washington DC, New York, Montreal and Vancouver. Their latest recording, for BIS Records, is Schubert’s ‘Death and the Maiden’  and String Quartet No.9 in G minor, D.173 released in autumn 2018.

Since 2009, Chiaroscuro Quartet has been artist-in-residence in Port-Royal-des-Champs giving a concert series dedicated to Mozart’s string quartets.

Conductor, cellist & keyboardist

Jonathan Cohen

Jonathan Cohen has forged a remarkable career as a conductor, cellist and keyboardist. Well known for his passion and commitment to chamber music Jonathan is equally at home in such diverse activities as baroque opera and the classical symphonic repertoire. He is Artistic Director of Arcangelo, Music Director of Les Violons du Roy,  Artistic Director of Tetbury Festival and Artistic Partner of the Saint Paul Chamber Orchestra.

During the 19-20 season he makes return visits to the Orchestra of the Age of Enlightenment, Budapest Festival Orchestra and Iceland Symphony Orchestra and debuts with the Handel and Haydn Society, Lucerne and Cincinnati Symphony Orchestras and the Scottish Ensemble. He tours the USA with Les Violons du Roy and continues his collaboration with the Saint Paul Chamber Orchestra.

Jonathan founded Arcangelo in 2010, who strive to perform high quality and specially created projects. He has toured with them to exceptional halls and festivals including Wigmore Hall London, Philharmonie Berlin, Kölner Philharmonie, Vienna Musikverein, Salzburg Festival and Carnegie Hall New York.

Regarded as one of the finest interpreters of Classical and Romantic repertoire, Imogen Cooper is internationally renowned for her virtuosity and lyricism. Recent and future concerto performances include the Berliner Philharmoniker and Sir Simon Rattle, Sydney Symphony with Simone Young and the BBC Scottish Symphony Orchestra with Thomas Dausgaard.

Imogen has a widespread international career and has appeared with the New York Philharmonic, Vienna Philharmonic, Royal Concertgebouw, Leipzig Gewandhaus, Budapest Festival, NHK and London Symphony Orchestras. Her recital appearances have included Tokyo, New York, Singapore, Paris, Vienna, Prague and the Schubertiade in Schwarzenberg.

Imogen is a committed chamber musician and performs regularly with Henning Kraggerud and Adrian Brendel. As a Lieder recitalist, she has had a long collaboration with Wolfgang Holzmair in both the concert hall and recording studio. Her recent solo recordings for Chandos Records feature music by Brahms, Chopin, Liszt, Wagner and Robert and Clara Schumann.

Imogen received a CBE in the Queen’s New Year Honours in 2007 and was the recipient of an award from the Royal Philharmonic Society the following year. In 1997 she was awarded Honorary Membership of the Royal Academy of Music and in 1999 she was made a Doctor of Music at Exeter University. Imogen was the Humanitas Visiting Professor in Classical Music and Music Education at the University of Oxford for 2012-13. The Imogen Cooper Music Trust was founded in 2015, to support young pianists at the cusp of their careers, and give them time in an environment of peace and beauty.

Composer, Violin & Piano

Alma Deutscher

Alma Deutscher, born 2005 in England, is a composer, violinist and pianist. She began playing the piano when she was two years old and the violin when she was three. Soon afterwards she started improvising simple melodies on the piano. Her attempts at composition began at age four, when she began writing an opera about a pirate called Don Alonzo. There followed various compositions for violin, piano, viola and voice, as well as works for chamber ensembles that were commissioned by music festivals in England and Switzerland.

Aged 9, Alma wrote a concerto for violin and orchestra which was premiered in January 2015 by the Oviedo Fiarmonia with Alma as soloist together with her first symphonic piece, ‘Dance of the Solent Mermaids’. Alma also played these pieces with the Israel Philharmonic Orchestra and in 2013 performed part of a newly composed piano concerto in Tokyo.

Aged 10, Alma finished her most ambitious project to date, a full length opera, ‘Cinderella’, which received its world premiere as a chamber music version in Israel in July 2015. The first fully staged production, for full orchestra, took place in Vienna in December 2016.

Aged 12, she completed her first piano concerto, which she played, together with her violin concerto, at the opening of the Carinthian Festival in Austria in Summer 2017.
In 2018, performances include a shortened version of Cinderella at the Vienna State Opera, and her debut at both the Aix-en-Provence and Lucerne Festivals.

Alma has featured prominently in international media and this year was the subject of an hour long BBC Documentary and a CBS 60 Minutes interview.    Her YouTube channel has more than 4 million views.

Alma lives in Dorking, England with her parents, Janie and Guy, and younger sister Helen.

Veronika Eberle’s exceptional talent and the poise and maturity of her musicianship have been recognised by many of the world’s finest orchestras, venues and festivals, as well as by some of the most eminent conductors.

In 18/19, Veronika will be artist in residence with the Jena Philharmonic Orchestra which will include concerto performances and recitals as well as educational projects and masterclasses. Debuts include with the Atlanta, Ulster, Danish Radio and Swedish Radio (Harding) Symphony orchestras as well as with the Luxembourg Philharmonic, Tokyo Symphony and Kansai Philharmonic Orchestras. Veronika will also tour Spain with the Hamburg Philharmonic Orchestra conducted by Kent Nagano.

Sir Simon Rattle’s introduction of Veronika aged just 16 to a packed Salzburg Festpielhaus at the 2006 Salzburg Easter Festival in a performance of the Beethoven concerto with the Berliner Philharmoniker, brought her to international attention. Key orchestra collaborations since then include the London Symphony (Rattle), Concertgebouw (Holliger), New York Philharmonic (Gilbert), Montreal Symphony (Nagano), Munich Philharmonic and Gewandhaus Orchestras (Langree), Rundfunk Sinfonieorchester Berlin (Janowski), Hessischer Rundfunk Sinfonieorchester (P.Järvi), Bamberger Symphoniker (Ticciati, Nott), Tonhalle Orchester Zurich (M.Sanderling), NHK Symphony (Kout, Stenz, Norrington) and Rotterdam Philharmonic (Rattle, Gaffigan, Nézet-Seguin).

Born in Donauwörth Southern Germany, she started violin lessons at the age of six and four years later became a junior student at the Richard Strauss Konservatorium in Munich with Olga Voitova. After studying privately with Christoph Poppen for a year, she joined the Hochschule in Munich, where she studied with Ana Chumachenco 2001-2012.

Veronika Eberle plays the ‘Dragonetti’ Stradivarius (1700), on generous loan from the Nippon Music Foundation.

Vilde Frang’s profound musicianship and exceptional lyricism has elevated her as one of the leading and most individual young artists.

In 2012 she was unanimously awarded the Credit Suisse Young Artists Award which led to her debut with the Wiener Philharmoniker under Bernard Haitink at the Lucerne Festival.

In 2016 she made her acclaimed debut with the Berliner Philharmoniker under Sir Simon Rattle as part of their Europa Konzert and she will return during the 17-18 season for her subscription debut at the Philharmonie, as well as concerts at the Baden Baden Easter Festival with Ivan Fischer.

Regularly appearing with the leading orchestras, her recent highlights have included performances with the Philharmonia Orchestra, Leipzig Gewandhaus Orchester, Deutsche Kammerphilharmonie Bremen, Symphonieorchester des Bayerischen Rundfunk, Dallas Symphony, Oslo Philharmonic, Wiener Symphoniker, Mahler Chamber Orchestra, Munich Philharmonic and Orchestre de Paris.

The 2018-19 season will include two extensive European tours with the Deutsche Symphonie Orchester Berlin with Robin Ticciati and the Orchestre Philharmonique de Luxembourg with Gustavo Gimeno, plus engagements with San Francisco Symphony, Scottish Chamber Orchestra. Bamberger Symphoniker, Leipzig Gewandhaus Orchester, Frankfurt Radio Symphony Orchestra and Seoul Philharmonic.

Vilde Frang is an exclusive Warner Classics artist and her recordings have received numerous awards.  She is the recipient of the Edison Klassiek Award, Classic BRIT Award, “Diapason d’Or” by Diapason Magazine, Deutsche Schallplattenpreis and Echo Klassik Award.  She also received a Gramophone Award in the Concerto category for her recording of Korngold’s Violin Concerto and Britten’s Violin Concerto.