A hugely versatile artist, Julie Fuchs began her musical and theatrical training in Avignon and went on to attend the Conservatoire National Supérieur in Paris.
Julie begins her 2020/21 season with her house and role debut at the Staatsoper Berlin as Aspasia in a new production of Mitridate. She then returns to Paris to make her role debut as Pamina Die Zauberflöte. Later, she makes her house debut at Teatro di San Carlo as Fiorilla Il Turco in Italia and returns to the Aix-en-Provence Festival as Susanna Le nozze di Figaro.
Operatic highlights of previous seasons include Marie La fille du régiment at the Wiener Staatsoper, Norina Don Pasquale at Opernhaus Zürich, Leïla Les pêcheurs de perles at the Théâtre des Champs-Elysées (live recording available on Pentatone), Comtesse Adèle Le Comte Ory at Opéra Comique, Giunia Lucio Silla at Teatro Real Madrid, Musetta La boheme at the Bayerische Staatsoper, la Folie in Rameau’s Platée and Nannetta in Falstaff at the Opéra National de Paris, the title role in L’incoronazione di Poppea, Fiorilla Il turco in Italia, Countess of Folleville Il viaggio à Reims, and Angelica Orlando at Opernhaus Zurich.
On the concert platform, Julie’s highlights include multiple chamber music recitals, Mozart’s Great Mass in C Minor and La morte d’Abel at Salzburg Festivals, her debut at the BBC Proms in 2016 with the BBC Symphony Orchestra, an American concert at Les Choregies d’Orange and a concert at the Philharmonie Berlin with the Deutsches Symphonie-Orchester.
Julie’s discography includes a recording of early songs by Mahler and Debussy with Alphonse Cemin, and a disc of Songs for Piano and Voice by Poulenc (Atma Classique). In 2014 Julie signed an exclusive contract with Deutsche Grammophon, with her first solo album ‘Yes !’ released in 2015. Her latest album, Mademoiselle, featuring Orchestre national d’Île-de-France was released February 15th, 2019 and was showcased in a European tour over the summer of that year.
Video & Audio
French soprano Julie Fuchs performs ‘Sventurata mi credea’ from Rossini’s “La cenerentola” at Les Victoires […]