She made her Metropolitan Opera debut in 2016 as the Madrigal Singer in Puccini’s Manon Lescaut and has since sung at the Glyndebourne Festival (Dryad/Ariadne); Seattle Opera (Ursula/Beatrice et Benedict); Opera Columbus (Carmen) and at the Grand Théâtre de Genève (Cherubino/Nozze di Figaro). This season, Avery will sing Eduige/Rodelinda with Emmanuelle Haïm in her house and role debut at Opera de Lille and for Opera de Lyon, and will return to the Glyndebourne Festival as Goffredo/Rinaldo. On the concert platform, she will sing Bach’s B Minor Mass with the Seattle Symphony, Prokofiev’s Alexander Nevsky with the Colorado Symphony and the New West Symphony, make her debut with the Early Opera Company in Dido and Aeneas at the Het Concertgebouw Amsterdam and make her BBC debut as Ursula in Beatrice and Benedict.
Recent concerts include Vivaldi arias with the Orchestra of St Luke’s in New York; Mozart’s Requiem with the Rhode Island Philharmonic and Bramwell Tovey; Bach’s St John Passion and Duruflé’s Requiem with the Voices of Ascension, New York; Berlioz Les Nuits D’été and Brahms Alto Rhapsody with the American Classical Orchestra, and concerts of Handel and Vivaldi with the Philharmonia Baroque Orchestra and Nicholas McGegan. Exceptional in baroque repertoire, she has worked with William Christie, Helmuth Rilling and Maasaki Suzuki, and at the Bachfest Leipzig and the Boston Early Music Festival.
Piotr Anderszewski is regarded as one of the outstanding musicians of his generation.
In recent seasons, he has given recitals at London’s Barbican Centre and Royal Festival Hall, the Wiener Konzerthaus, the Berlin Philharmonie, Carnegie Hall New York and the Mariinsky Concert Hall in St Petersburg.
His collaborations with orchestra have included appearances with the Berliner Philharmoniker, the Chicago and London Symphony orchestras, the Philadelphia Orchestra and the Koninklijk Concertgebouworkest. He has also given many performances directing from the keyboard, with orchestras such as the Scottish Chamber Orchestra, Chamber Orchestra of Europe, Sinfonia Varsovia and Deutsche Kammerphilharmonie Bremen.
Piotr has been an exclusive artist with Warner Classics/Erato (previously Virgin Classics) since 2000. His first recording for the label was Beethoven’s Diabelli Variations, which went on to receive a number of prizes including an ECHO Klassik award. He has also recorded a Grammy-nominated CD of Bach’s Partitas 1, 3 and 6 and a critically-acclaimed disc of works by Chopin. Piotr’s most recent disc of Bach’s English Suites nos. 1, 3 and 5 was released in November 2014, going on to win both a Gramophone award and an ECHO Klassik award in 2015.
Download Piotr’s full 2018/19 season biography here.
Italian-American tenor Michele Angelini made his European debut at the Rossini Opera Festival in Pesaro as Count Libenskof in Il viaggio a Reims and sang the part of Hänschen Rilow in the world premiere of Benoit Mernier’s opera Frühlings Erwachen at Theatre Royal de la Monnaie, Brussels, which was also released on the Cypress Records Label.
In the 18/19 season, highlights include a return to Staatsoper Berlin for performances of Il Barbiere di Siviglia; performances of Rossini’s Stabat Mater conducted by Gianandrea Noseda with the National Symphony Orchestra at the Kennedy Center, Washington DC and Carnegie Hall New York and his house debuts at the Bolshoi Theatre Moscow in Il viaggio a Reims, and at Teatro Petruzelli, Bari as Argirio in Tancredi. He will take part in the AIDS Galas in Berlin and Bonn and sing Barbiere in concert in Bremen’s Die Glocke with Jérémie Rhorer. Looking ahead Michele will give his house debuts at the Glyndebourne Festival Opera and Tokyo’s New National Theatre.
Anna Caterina Antonacci
Established as one of the finest sopranos of her generation, Anna Caterina won prestigious prizes at the Voci Verdiane, Callas and Pavarotti competitions.
She has been honoured with the ‘Chevalier de l’Ordre National de la Légion d’honneur’ by the French Republic, which is the highest national distinction one can receive. Her first recording Era la Notte for the Naive label received great acclaim and she has also recorded L’Alba separa dalla luce l’ombra for Wigmore Live, with her pianist Donald Sulzen, featuring songs by Tosti, Cilea, and Hahn.
Born in Milan, Giovanni studied at the Civica Scuola di Musica and at the Centre de Musique Ancienne in Geneva. He is a founder member of the Baroque ensemble “Il Giardino Armonico”, which he has led since 1989. With this ensemble, he has appeared as conductor and soloist on the recorder and Baroque transverse flute in Europe, United States, Canada, South America, Australia, Japan and Malaysia. He is Artistic Director of the Wratislavia Cantans Festival in Poland and Principal Guest Conductor of the Mozarteum Orchester and Kammerorchester Basel.
He has performed with many prestigious artists including Cecilia Bartoli, Isabel Faust, Viktoria Mullova, Giuliano Carmignola, Giovanni Sollima, Sol Gabetta, Katia and Marielle Labèque, Sumi Jo, Kristian Bezuidenhout and Emmanuel Pahud. Renowned for his refined and innovative interpretation of the classical and baroque repertoire, Antonini is also a regular guest with the Berliner Philharmoniker, Concertgebouworkest, Tonhalle Orchester, Mozarteum Orchester, Orquesta Nacional de España and Leipzig Gewandhausorchester.
His opera productions have included Mozart’s Le Nozze di Figaro and Handel’s Alcina and Idomeneno at Teatro alla Scala in Milano and Opernhaus Zurich, Handel’s Giulio Cesare and Bellini’s Norma with Cecilia Bartoli at Salzburg Festival. In the 2018/19 season, performances include debuts with Yomiuri Nippon Symphony and Czech Philharmonic Orchestra, return visits to Kammerorchester Basel for concert performances of Fidelio and Don Giovanni, Orchestra of the Age of Enlightenment for Mozart symphonies and Gluck & Mozart arias with Magdalena Kozena, as well as Handel’s Orlando at Theater an der Wien.
Giovanni is artistic director of the Haydn 2032 project, created to realise a vision to record and perform with Il Giardino Armonico and Kammerorchester Basel, the complete symphonies of Joseph Haydn by the 300th anniversary of the composer’s birth. Volumes 1-6 have been released on the Alpha Classics label with two further volumes planned for release each year in the future.
Frédéric Antoun was born in Quebec and studied at the prestigious Curtis Institute of Music, Philadelphia.
Frédéric has appeared as Belmonte Die Entführung aus dem Serail, Thespis Platée and Ferrando Cosi fan tutte (Opera de Paris), Tonio La Fille du Régiment (Royal Opera House Covent Garden, Opera de Lausanne and Opera de Toulon), Amaedus Daberlohn Charlotte Salmon and Raul in the world premiere of Adès’ The Exterminating Angel (Salzburg Festival), Nadir Les Pecheurs de perles (Opernhaus Zurich), Laërte Hamlet at the Theater an der Wien, Cendrillon at La Monnaie Brussels and Ferrando Cosi fan tutte (Opera de Marseille and Opera de Paris).
Concert repertoire includes Handel’s Messiah, Schumann Das Paradies und die Peri, Berlioz L’enfance du Christ and Requiem, Beethoven Symphony No.9, Mozart Requiem, Orff’s Carmina burana and Bach’s Magnificat and St Matthew and St John Passion.
Saleem Ashkar made his Carnegie Hall debut at the age of 22 and has since gone on to work with the Wiener Philharmoniker, Royal Concertgebouw Orchestra, London Symphony Orchestra, Mariinsky Orchestra, Leipzig Gewandhausorchester and Deutsches Symphonie-Orchester Berlin; with conductors such as Zubin Mehta, Daniel Barenboim, Riccardo Muti, Nikolaj Znaider, Fabio Luisi, Lawrence Foster, Jakub Hrůša, and Riccardo Chailly — with whom he has recorded and appeared at the Proms and Lucerne Festivals.
In recent years Saleem has made debuts and return visits to many great orchestras, including the Detroit Symphony Orchestra, Orchestre National de Lyon, Orchestre Philharmonique du Luxembourg with Znaider, Bamberg Symphoniker with Christoph Eschenbach, Japan Philharmonic Orchestra with Pietari Inkinen, National Arts Center Ottawa with Alexander Shelley, Orquestra Simfònica de Barcelona i Nacional de Catalunya with Kazushi Ono, and a three-week tour to Australia which saw performances with the Melbourne, Adelaide and Tasmanian Symphony Orchestras, during which his Brahms Piano Concerto No. 1 was praised for its “insight and vigour respectively” (The Sydney Morning Herald).
In the 2018-19 season, Saleem makes his Orchestre de la Suisse Romande debut with David Afkham, and has return invitations to the Konzerthausorchester Berlin with Jan Willem de Vriend, Tokyo Metropolitan Symphony Orchestra with Eliahu Inbal, and Bournemouth Symphony Orchestra with James Feddeck.
Saleem is Ambassador to the Music Fund, a humanitarian project that supports musicians and music schools in conflict areas and developing countries.
Born in Lvov, Poland, Emanuel Ax moved to Winnipeg, Canada, with his family when he was a young boy. His studies at the Juilliard School were supported by the sponsorship of the Epstein Scholarship Program of the Boys Clubs of America, and he subsequently won the Young Concert Artists Award. Emanuel captured public attention in 1974 when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv and in 1979 he won the coveted Avery Fisher Prize in New York.
In partnership with colleagues Leonidas Kavakos and Yo-Yo Ma, he begins the current season with concerts in Vienna, Paris and London with the trios of Brahms recently released by SONY Classical. In the US he returns to the orchestras in Cleveland, Chicago, New York, Philadelphia, San Francisco, Los Angeles, Minneapolis, Washington, Detroit, Pittsburgh, Nashville and Portland, OR, and to Carnegie Hall for a recital to conclude the season. In Europe he returns to the Rotterdam Philharmonic, Royal Concertgebouw Orchestra in Amsterdam, Accademia Nazionale di Santa Cecilia in Rome, Deutsches Symphonie-Orchester Berlin, and the radio orchestras of Hamburg, Hannover and Munich, as well as touring with the Budapest Festival Orchestra to Belgium, France and Italy. Emanuel will also appear in recital throughout Europe, culminating in a special concert with Sir Simon Keenlyside and the Dover Quartet at Wigmore Hall in June 2019.
Emanuel has been a Sony Classical exclusive recording artist since 1987.
Click here to download Emanuel Ax’s full 2018/19 biography.