Peter Whelan: Dusting off the old books and bre...

Emmanuelle Haïm: the drama of the French baroque

Meet new signing Harry Ogg: “it’s hard to descr...

Eva-Maria Westbroek: “My wish is to always try ...

Corinna Niemeyer on the Rotterdam Philharmonic,...

Marc Leroy-Calatayud on conducting (and taking ...

Marta Gardolińska on her big break in Bournemou...

Interview: Eric Lu on his musical philosophy, T...