Ekaterina Semenchuk is one of the most sought-after mezzo-sopranos in the world, known for her exceptional range and unparalleled technique. She made her stage debut at the Mariinsky Theatre while still studying at the Rimsky-Korsakov Conservatory in St Petersburg, and her career has since seen her perform at all the major houses across the globe.
Recognised as one of the world’s most pre-eminent Verdi mezzos, Ekaterina’s signature operatic roles include Azucena Il Trovatore, Eboli Don Carlo, Amneris Aida, Lady Macbeth Macbeth, and Princess de Bouillon Adriana Lecouvreur. Beyond Verdi, she is known for her portrayals of Didon Les Troyens, Santuzza Cavalleria Rusticana, Marina Boris Godunov, Laura La Gioconda, Lyubov Mazeppa, Marfa Khovanshchina, Dalila Samson et Dalila, Giovanna Seymour Anna Bolena, and the title role in Carmen.
“Semenchuk’s art is consummate, displaying ease over a huge range, deploying gaiety and delicacy, and always with a luscious power held in reserve” The Independent, 2017
Recent seasons have seen Ekaterina perform at The Metropolitan Opera, Opéra de Paris, Teatro Real Madrid, Royal Opera House Covent Garden, Salzburg Festival, New National Theatre Tokyo, San Francisco Opera, Staatsoper Unter den Linden, Baden-Baden Festivals, and Teatro alla Scala Madrid, among others. In addition to her international career, she retains a strong relationship with the Mariinsky Theatre and Maestro Gergiev.
This season, Ekaterina will make her Bolshoi Theatre house debut, singing Lyubava for the first time in Rimsky-Korsakov’s rarely performed Sadko. She will also return to Princess Eboli for a new production at Teatro Real Madrid; a role she will then reprise for her house debuts at both the Salzburg Easter Festival and Dresden Semperoper in 2020.