Soprano

Fatma Said

“The flawless radiant Fatma Said is a discovery…”
(Frankfurter Allgemeine Zeitung)

Winner – Veronica Dunne International Singing Competition

 

© Irina Litvinenko

Introduction

Egyptian soprano, Fatma Said, has established a reputation as an extraordinarily gifted musician and is a former member of the BBC Radio 3 New Generation Artist scheme.

Fatma has not only distinguished herself in opera houses and on concert stages, but also in a humanitarian capacity, regularly representing her home country as an ambassador for culture and education.

This season, as well as her New Generation Artist commitments, Fatma performs Die Schöpfung at Tonhalle Düsseldorf,  Strauss lieder with the Royal Philharmonic Orchestra in Birmingham, plus performances with the Boston Symphony Orchestra under Andris Nelsons, and the BBC Philharmonic Orchestra under Omer Meir Wellber. She will also make her BBC Proms debut on 7 August in Mozart’s Requiem.  

Fatma will give recitals in Perth, Leeds, Dresden, Bonn, Mallorca, and at Wigmore Hall. Fatma will make her debut at the Salzburg MozartWoche a production of Mozart’s T.H.A.M.O.S by La Fura del Baus, and will give gala concerts at The United Nations in Geneva, and in Muscat with Juan Diego Flórez.

Recent highlights include L’Amour in the new John Fulljame/Hofesh Schechter Orphée et Eurydice at Teatro alla Scala, her Wigmore Hall debut as part of the BBC Radio 3 lunchtime series; concerts in Lucerne, Vienna and Salzburg with Rolando Villazón, and performances and recording of Mahler 8 at Tonhalle Düsseldorf with Adam Fischer.


Contact


Performance Schedule

 
  • More info  
    19:00 07 Aug 2019 Royal Albert Hall, LONDON

    WOLFGANG AMADEUS MOZART Requiem Mass No. 19 in D minor K. 626

    Soprano: Fatma Said
    Conductor: Nathalie Stutzmann
    Orchestra: BBC National Orchestra of Wales

Press

 
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    22 Feb 19 PUCCINI Suor Angelica Boston Symphony Orchestra (debut)
    Symphony Hall

    “The supporting cast was uniform in its excellence, from Fatma Said as a winsome Sister Genovieffa to Dana Beth Miller and MaryAnn McCormick as the imperious Abbess and Monitor. Boston’s own Lorelei Ensemble filled out the ranks of nuns, lending their psalms and lighthearted banter a silvery sheen.”
    Zoë Madonna, bostonglobe

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    19 Dec 18 Wigmore Hall Recital, London
    The Times ★★★★★

    “The Egyptian soprano’s wide-ranging choice of material displayed wit, spice and plenty of polish”
    ” Said, a BBC Radio 3 New Generation Artist, had held the audience in the palm of her hand for two hours — no matter which of the six languages she was singing in”

    “She didn’t skimp on profundity when it was there to be found. Ravel’s trio of “oriental” songs, Shéhérazade, was voiced with musky élan, Said confident in her smoky low range and pungent word-painting, culminating in a commandingly haughty L’indifférent. And her Strauss selection travelled memorably from a heart-rending Allerseelen to the sweetness of Schlagende Herzen. Here, she sounded more than a little like the late, great Lisa della Casa in the combination of brightness of expression and warmth of tone.”

    “We headed south, to Italian nuggets by Catalani and Leoncavallo, then to Spain, where Said was also fantastically expressive: a weepy number by Fernando Obradors was sentimental stuff, but it was taken seriously here and not overmilked. Manuel de Falla’s Your Dark Eyes had real bite and allowed Said to travel into more dramatic territory.”
    Neil Fisher, The Times

  • More info  
    28 Feb 18 GLUCK Orphée et Eurydice
    Teatro alla Scala

    “The night’s biggest revelation was not about the power of music or any meditation on love or impulse, though; it was Fatma Said as Amor. I first encountered this jewel of as a bewitching Pamina on a DVD of La Scala’s production of Zauberflöte last year. Done up in a gold suit and biting into the music with flair, Said’s Amor was a sexy gamekeeper instead of bow-wielding cherub. Her rich but agile voice, full of colors and overtones not unlike Sondra Radvanovsky’s but with more polish, was a pleasure to listen to and represents a real boon for the theater’s Academy.”
    Harry Rose, Parterre

    “Fatma Said was a puckish Amour.”
    James Imam, The Financial Times

    “Bravissima Fatma Said (già ottima Pamina alla Scala) nel completo d’oro di Amour, un’aggraziata e spiritosa messaggera degli dei.”
    Stefano Jacini, Giorno della Musica