JulieRøssland
- Conductor
About Julie
Talent Norge - Dirigentløftet
Julie has recently made successful debuts with the Swedish Radio Symphony, Lahti Symphony, Tampere Philharmonic, Stavanger Symphony, Kristiansand Symphony and Gürzenich-Orchester Köln; she was re-invited following each engagement.
She soon makes further debuts with the Oslo Philharmonic, Bergen Philharmonic, Trondheim Symphony, Gothenburg Symphony, Luxembourg Philharmonic, Bremer Philharmoniker, Philharmonia Orchestra, Antwerp Symphony, Aalborg Symphony, Tonkünstler Orchestra and at the Norwegian Opera and Ballet, where later this year she conducts The Nutcracker.
Born in Voss, Norway in 2000, Julie completed her Masters’ at the Sibelius Academy in 2025, and has a Bachelor in Conducting from the University of Stavanger.
Contact
For availability and general enquiries:
Henry Lindsay
For contracts, logistics and press:
Jemima Pickersgill
Representation
Season Highlights
Video
- Playing
Julie Rossland conducts Tveitt 100 Hardanger Tunes: Suite No. 1, Op. 151
Julie Rossland conducts 100 Folk-tunes from Hardanger, Op. 151: Suite No. 1: No. 14 by Tviett with Stavanger Symphony Orchestra Credit: Stavanger Symphony Orchestra
Julie Rossland conducts Sibelius Symphony No. 2, Finale with the Swedish Radio Symphony Orchestra
Credit: Swedish Radio Symphony Orchestra
Julie Røssland conducts Weber
Julie Røssland conducts the Overture to Weber’s Oberon with the Stavanger Symphony Orchestra Credit: Talent Norge
Julie Røssland conducts Debussy
Julie Røssland conducts ‘Fêtes’ from Debussy’s Nocturnes in a masterclass with the Stavanger Symphony Orchestra. Credit: Stavanger Symphony Orchestra
Photos
News
Press
Tampere Philharmonic
Tampere PhilharmonicNov 2025The highlight of the concert was Johan Svendsen's First Symphony, which Røssland interpreted vividly and precisely... Julie Røssland, who conducted with precision and liveliness, managed to create an exceptionally close relationship with the musicians, which was reflected in the effortlessness of making music and the very self-evident design of the music. The pieces fell into place precisely and naturally. The music flowed and communicated in many directions... The highlights were the slow movement, radiating delightfully light and glowing, and the third movement, which borrowed tones from Norwegian folk music. The delicate dialogue between the strings and the clarinets and flutes at the end of the third movement was particularly enjoyable. In the fast extremes, the conductor kept the energy level high and the direction determined.
- Harri Hautala, Aamulehti
- 08 November 2025