JulieRøssland
- Fellow
- Conductor
About Julie
Sibelius Academy 2024/25 Talent Norge - Dirigentløftet
Julie returns to the Stavanger Symphony and Tampere Philharmonic this season, as well as making debuts with the Swedish Radio Symphony, Bremer Philharmoniker, Trondheim Symphony, Bergen and Arctic Philharmonic Orchestras. She will also assist Karina Canellakis and the London Philharmonic Orchestra on a European tour. Last season included her German conducting debut with the Gürzenich Orchestra Cologne, following which she was re-invited by the orchestra.
Born in Voss, Norway in 2000, Julie began her Masters at the Sibelius Academy in September 2023. She has a Bachelor in Conducting from the University of Stavanger and has taken part in the Royal Northern College of Music Conducting Masterclass with Mark Heron and in the Nordic Masterclass with Jorma Panula.
Contact
For availability and general enquiries:
Henry Lindsay
For contracts, logistics and press:
Jemima Pickersgill
Representation
Season Highlights
Video
- Playing
Julie Rossland conducts Sibelius Symphony No. 2, Finale with the Swedish Radio Symphony Orchestra
Credit: Swedish Radio Symphony Orchestra
Julie Røssland conducts Weber
Julie Røssland conducts the Overture to Weber’s Oberon with the Stavanger Symphony Orchestra Credit: Talent Norge
Julie Røssland conducts Debussy
Julie Røssland conducts ‘Fêtes’ from Debussy’s Nocturnes in a masterclass with the Stavanger Symphony Orchestra. Credit: Stavanger Symphony Orchestra
Photos
News
Press
Tampere Philharmonic
Tampere PhilharmonicNov 2025The highlight of the concert was Johan Svendsen's First Symphony, which Røssland interpreted vividly and precisely... Julie Røssland, who conducted with precision and liveliness, managed to create an exceptionally close relationship with the musicians, which was reflected in the effortlessness of making music and the very self-evident design of the music. The pieces fell into place precisely and naturally. The music flowed and communicated in many directions... The highlights were the slow movement, radiating delightfully light and glowing, and the third movement, which borrowed tones from Norwegian folk music. The delicate dialogue between the strings and the clarinets and flutes at the end of the third movement was particularly enjoyable. In the fast extremes, the conductor kept the energy level high and the direction determined.
- Harri Hautala, Aamulehti
- 08 November 2025