MatthewRose
Contact
Nicholas Moloney
For contracts, logistics and press:
LeOui van Rensburg
Representation
About Matthew
British bass Matthew Rose studied at the Curtis Institute of Music before becoming a member of the Young Artist Programme at the Royal Opera House, Covent Garden.
Matthew's international career has seen him enjoy a close relationship with The Metropolitan Opera, for whom he gave his 100th performance in 2022. His roles there include Filippo II and Monk (Don Carlos), Raimondo (Lucia di Lammermoor), Claudio (Agrippina), Masetto and Leporello (Don Giovanni), Oroveso (Norma), Ashby (La Fanciulla del West), Talbot (Maria Stuarda), Bottom (A Midsummer Night's Dream), Night Watchman (Die Meistersinger von Nürnberg), Frère Laurent (Roméo et Juliette) and Colline (La bohème).
The 2023/24 season includes his house and role debut as Fasolt in Das Rheingold for the Deutsche Staatsoper Berlin, Der Rosenkavalier (Baron Ochs) for Santa Fe Opera and the Grand Théȃtre de Genève, Die Zauberflöte (Sarastro) for Palau de les Arts Reina Sofia, and Cadmus/Somnus in Handel's Semele at Blackheath Halls.
On the concert platform he sings Janáček's Glagolitic Mass with the Montréal Symphony Orchestra and Rafael Payare, Dvořák's Stabat Mater with the Berliner Philharmoniker and Jakub Hrůša, Christus in Bach's St John Passion with the Royal Concertgebouw Orchestra and Trevor Pinnock, as well as Beethoven Symphony No. 9 with both Orchestre Philharmonique de Radio France and Mikko Franck and the Finnish Radio Symphony Orchestra with Nicholas Collon.