ThomasSøndergård

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  • Conductor
© Sally Jubb
© Sally Jubb

About Thomas

Music Director: Minnesota Orchestra Music Director: Royal Scottish National Orchestra

Danish conductor Thomas Søndergård is Music Director of the Minnesota Orchestra and Music Director of the Royal Scottish National Orchestra. The 2026/27 season marks his final season as Music Director of the RSNO, before becoming Music Director Emeritus in 2027/28. He previously served as the orchestra’s Principal Guest Conductor for six seasons. From 2012 to 2018, he was Principal Conductor of BBC National Orchestra of Wales, following his tenure as Principal Conductor and Musical Advisor of the Norwegian Radio Orchestra.

In 2026/27, Thomas continues his work with both the Minnesota Orchestra and RSNO, alongside guest engagements across Europe. He returns to the Gürzenich-Orchester Köln with Benjamin Grosvenor and to the City of Birmingham Symphony Orchestra with Alina Ibragimova. At the Royal Danish Opera, he conducts performances of Verdi’s Falstaff, continuing his long-standing relationship with the company.

Thomas Søndergård has appeared with most of Europe’s leading orchestras, including the Berliner Philharmoniker, Symphonieorchester des Bayerischen Rundfunks, Gewandhausorchester Leipzig, Tonhalle-Orchester Zürich, Orchestre National de France, London Symphony Orchestra, Philharmonia Orchestra and Royal Concertgebouw Orchestra. A familiar figure across Scandinavia, he has worked with the Oslo Philharmonic, Gothenburg Symphony, Danish National Symphony Orchestra, Royal Stockholm Philharmonic, Swedish Radio Symphony Orchestra, Finnish Radio Symphony Orchestra and Helsinki Philharmonic. In North America, his engagements have included the New York and Los Angeles Philharmonics, Cleveland Orchestra and the symphony orchestras of Chicago, Cincinnati, Baltimore, St Louis, Toronto, Atlanta, Montréal, Vancouver, Houston and Seattle.

Opera has formed an important part of Thomas Søndergård’s career, with regular engagements at the Royal Danish Opera and collaborations with Staatsoper Stuttgart, Norwegian Opera, Royal Swedish Opera, Bayerische Staatsoper and Deutsche Oper Berlin, where he conducted the world premiere of Scartazzini’s Edward II.

A committed advocate of Scandinavian repertoire, Thomas has a particular affinity with the music of Carl Nielsen and Jean Sibelius. His discography spans Scandinavian, contemporary and core symphonic repertoire, with recordings on the Royal Danish Orchestra, BBC National Orchestra of Wales, RSNO and Rundfunk-Sinfonieorchester Berlin. His debut recording with the Minnesota Orchestra, featuring Thomas Adès’s The Exterminating Angel Symphony & Violin Concerto with Leila Josefowicz, was shortlisted for the 2026 Gramophone Awards.

Thomas is based in Copenhagen

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Edward Pascall

Edward Pascall

Associate Director
Laura Capano

Laura Capano

Associate Artist Manager

Representation

Worldwide General Management with Askonas Holt

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Season Highlights

Sep 2026
Usher Hall, Edinburgh
Rachmaninov - Piano Concert No. 4 Op. 40 Mahler - Symphony No. 6 Royal Scottish National Orchestra Alexander Malofeev, piano
Sep 2026
Orchestra Hall Minnesota, Minneapolis
Prokofiev - Piano concerto No. 2 in G minor O. 16 Stravinsky - Firebird Minnesota Orchestra Vadym Kholodenko, piano
Oct 2026
Philharmonie Cologne
Rachmaninov - Piano Concerto No. 2 in C minor Op. 118 Prokofiev - Symphony No. 6 in Eb minor Op. 111 Gürzenich Orchester Cologne Benjamin Grosvenor, piano
Nov 2026
Europe Tour
Tchaikovsky - Polonaise from Eugene Onegin Rachmaninov - Piano Concerto No. 2 in C minor Op.18 Tchaikovsky - Piano Concerto No. 1 in B flat minor Op. 23 Brahms - Symphony No. 4 in E minor Op. 98 Royal Scottish National Orchestra Roman Borisov/Olga Scheps/Anna Vinnitskaya, piano
Dec 2026 - Jan 2027
The Royal Danish Opera, Copenhagen
Verdi - Falstaff
Jan 2027
Symphony Hall, Birmingham
Coleridge-Taylor - Ballade Mendelssohn - Violin Concerto in E minor Op. 64 Sibelius - Symphony No. 2 in D major Op. 43 City of Birmingham Symphony Orchestra Alina Ibragimova, violin
May 2027
Usher Hall, Edinburgh
Mahler - Symphony No. 3 in D minor Royal Scottish National Orchestra Beth Taylor, mezzo soprano
Jun 2027
Orchestra Hall Minnesota, Minneapolis
Lutoslawski - Paganini Variations Strauss - Burleske for piano and orchestra in D minor Op. 11 Mahler - Symphony No. 5 Minnesota Orchestra Yeol Eum Son, piano

Photos

News

Press

  • Elektra: Deutsche Oper Berlin

    Deutsche Oper Berlin
    Apr 2025
    • [...] I was blown away by the fantastic sound that Thomas Söndergard unleashed with the orchestra: precise, sharply contoured, audible even in the wildest fortissimo, atmospherically dense, pulsating with incredible energy.

  • RSNO: Dvorak Symphony No. 6

    Edinburgh
    Nov 2023
    • "Thomas Søndergård shaped the opening movement with a gorgeous sense of heft, with the main theme slowly and beautifully filling out but always moving forwards purposefully. The sweet, sunlit slow movement benefited from drop-dead-gorgeous string tone, and a lucidly played Trio sat in the middle of a storming Furiant."

  • Minnesota Orchestra: Music Director Inaugural Concerts

    Minneapolis
    Sep 2023
    • "It was stirring at the start, as effervescent as champagne at its center, and as big and bold as one could wish in its almost-hourlong finale. And throughout it all, Søndergård seemed a leader with firm ideas about what he wanted from the music and a very graceful way of communicating them. When Søndergård and the orchestra reached the summit at the center of the piece, it was pure ecstatic triumph. And what a storm the orchestra summoned up, especially in the percussion section, a group that may be forging a special connection with the conductor, as that's the part of the orchestra in which he launched his professional career."

      • Star Tribune
      • 21 September 2023
  • RSNO: Sibelius, Berlioz and Sørensen

    Glasgow
    Nov 2021
    • ★★★★★ "The Royal Scottish National Orchestra’s music director Thomas Søndergård invited us to join him on an emotionally intense programme of music depicting vivid memories of times and places, from Bert Sørensen’s childhood landscapes through a journey of love and loss from Berlioz and rounding off with an astonishing performance of a favourite Sibelius symphony." [In the Sørensen] "Søndergård brought order to the pungent chaos, carefully taming the vivid frenzy. A soft oboe solo brought us back to the lone violin as the music slowly drifted into a deep rural silence." [In the Berlioz] "Søndergård balanced his forces sensitively, allowing them to swell out in passionate moments but never overwhelming his singer even with Morison in her darkest, lower register." [Sibelius] "It is a concert hall favourite, but Søndergård and the orchestra gave a performance as if this was a newly discovered score with phrasing and dynamics detailing far corners of the work."