Guest-edited by Assistant Artist Manager Nathan Morrison, our final issue of 2018 focuses on collaboration, which plays a big part in both our artists’ performing lives, as well as in our day to day work as an agency.
In The Green Room Winter 2018 issue:
British director Frederic Wake-Walker tells us about the vision for his staging of Handel’s Messiah with the Deutsches Sinfonie-Orchester Berlin, creating drama from the dynamic between the performers rather than through a narrative
Iain Burnside writes about his Russian song series at Wigmore Hall; telling us how it came about, what attracts him to the repertoire, and even what Russian song and Ferraris have in common!
Ahead of her first foray into musical theatre next year, Dame Felicity Lott tells us how about her fears and expectation
Interviews with young artists Jennifer Davis, Daniel Lebhardt and Nuno Coelho
Spotlight on… Kristina Mkhitaryan and il pomo d’oro