AubreeOliverson
Press
Tchaikovsky, Violin Concerto
Orquesta Sinfonica de NavarraOct 2023Violinist Aubree Oliverson not only exhibited the supreme technique necessary for Tachikovsky's devilish concerto, but had moments of sensitivity and preciousness in the calm intervals of the stress of virtuosity that predominates. Soon the triple strings, extreme intervals, dotted rhythms, arpeggios, trills emerge... And the American soloist shows excellent tuning and that peace of mind for the audience that something that is known to be so difficult, turns out to be easy.
- Noticias de Navarra
- 22 October 2023
Barber, Violin Concerto
Abravanel HallSep 2023Oliverson had a clear idea of how each phrase fit into the overall architecture of the piece, and how to bring her vision to life with her careful phrasing, articulation, and dynamics. The soloist commanded attention from the opening runs of the first movement, to which she lent a seamless grace and flawless technique. Her tone was authoritative and matched her bold phrasing. The technically difficult Moto perpetuo finale showcased not only Oliverson’s technique but her musicality, as she and the orchestra built to a breathtaking finish.
- Utah Arts Review
- 16 September 2023
CPE Bach, Flute Concerto iin D minor. Arr. Aubree Oliverson
El Camino College Campus Theatre, TorranceMay 2023The flute-turned-violin concerto (in D minor, H.484.1/Wq. 22) was a highlight of the program. Violin soloist Aubree Oliverson transcribed the flute part herself and played it from memory, her focused tone projecting well... The energetic last movement frothed to a moody finish, coordinated nicely between soloist and orchestra, that got the audience on its feet with applause.
- Classical Voice
- 30 May 2023
Weinberg, Concertino for Violin and String Orchestra
Merkin Hall, NYCFeb 2023Aubree Oliverson played the Concertino for all it is worth, capturing its varied moods with passion, fire, tenderness and sorrow. Her collaboration with Niederhoffer and the Parlando musicians was natural and dedicated.
- New York Classical Review
- 28 February 2023