Dmitry Belosselskiy
News
- 30 April 2024
Royal Opera 2024/25 season to feature 22 Askonas Holt artists
Read full article - 18 March 2024
Bayerische Staatsoper 2024/25 season to feature 23 Askonas Holt artists
Read full article - 24 February 2024
18 Askonas Holt artists to appear at The Metropolitan Opera in 2024/25
Read full article - 25 January 2024
A quartet of debuts with the Boston Symphony Orchestra in Lady Macbeth of Mtsensk
Read full article
Press
Verdi Nabucco
Metropolitan Opera New YorkSep 2023 - Oct 2023Of the soloists, it is Zaccaria that dominates the first act, here commandingly sung by Dmitry Belosselskiy, his several arias all perfectly idiomatic.
- Seen and Heard International
- 08 January 2024
Il affronte crânement les difficultés de sa grande scène du premier acte 'Sperate o figli' [Translated] He bravely tackles the difficulties of his great Act I scene, 'Sperate o figli'
- Forum Opera
- 08 January 2024
Dmitry Belosselskiy was also reprising the role of the high priest Zaccaria. His robust bass rang out fierce and defiant
- New York Classical Review
- 29 September 2023
Belosselskiy, who returned as Zaccaria in “Nabucco,” sang attractively in “Vieni, o Levita.”
- New York Times
- 29 September 2023
In another role reprisal from 2016, Dmitry Belosselskiy displayed a rich and flowingly lyrical bass in his sage and subtle depiction of Zaccaria, the High Priest of Jerusalem.
- Bachtrack
- 29 September 2023
Wagner Der Fliegende Holländer
Metropolitan Opera, New YorkMay 2023 - Jun 2023As Daland, Dmitry Belosselskiy was similarly effective, particularly during his duet with Konieczny. He managed a brighter timbre in his bass with rhythmic accuracy and pinpoint diction throughout. This was also noticeable during “Mögst du, mein Kind, den fremden Mann willkommen heissen!” when he introduces Senta to the Dutchman. His bass maintained a sturdiness throughout
- Opera Wire
- 30 May 2023
Bass Dmitry Belosselskiy was full of character and vocal weight as Daland, believably craven in his eagerness to sell Senta off to the Dutchman
- New York Classical Review
- 30 May 2023
Dmitry Belosselskiy was as tender as Daland as he was terrifying as the Commendatore in Don Giovanni.
- Parterre Box
- 30 May 2023
Dmitry Belosselskiy used his weighty and characterful bass to effectively portray Daland, Senta’s father, as a strong but unscrupulous man who eagerly sells off his daughter to the Dutchman in return for great wealth. The two smaller roles were less evenly cast
- Bachtrack
- 30 May 2023
Verdi Don Carlos
Lyric Opera of ChicagoNov 2022 - Dec 2022Dmitri Belosselskiy is a towering King Philippe with a fantastically commanding and cavernous bass voice. This is a man in control and you are drawn to the very power of his voice.
- Hyde Park Herald
- 14 November 2022
Belosselskiy potently conveys the strength of the Spanish king but also his vulnerability, which comes through in a moving performance of the character’s desolate Act 4 meditation on his age and loveless marriage
- Chicago Sun Times
- 14 November 2022
Verdi Don Carlos
Bayerische Staatsoper, MunichSep 2022 - Oct 2022Dmitry Belosselsky gibt mit vollem Bass den Despoten Philipp II. Seine väterliche Liebe unterdrückt er hoheitsvoll. Seine Machtlosigkeit im Konflikt von Amt und eigenen Gefühlen streicht er geschickt nuanciert vor allem in seiner großen Arie „Sie hat mich nie geliebt“ heraus.” [Translated] Dmitry Belosselsky plays the despot Philip II with full bass. He sovereignly suppresses his paternal love. He skilfully highlights his powerlessness in the conflict between office and his own feelings, especially in his great aria “Ella giammai m’amo”.
- Opera Online
- 30 September 2022