PeterRose

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Bass
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News

  • 20 May 2022

    Peter Rose debuts as the Doktor in Wozzeck

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  • 08 September 2020

    Peter Rose named "Kammersanger" at Wiener Staatsoper

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Press

  • Wagner - Das Rheingold

    Staatsoper unter der Linden
    Apr 2023

    • Peter Rose, an experienced singer who for years has been the Baron Ochs of all the major Rosenkavalier productions, is here a clever and awkward mafia boss, with a voice that is still powerful... But as a superb actor, he slips perfectly into the desired character." [translated] "Peter Rose, chanteur d’expérience qui fut pendant des années le baron Ochs de toutes les grandes productions de Rosenkavalier est ici un chef mafieux malin et peu commode, avec une voix encore puissante... Mais en superbe acteur, il se glisse parfaitement dans le personnage voulu.

  • Britten - Peter Grimes

    Teatro alla Scala
    Oct 2023 - Nov 2023

    • Other standouts include Peter Rose’s strident Swallow

    • In the plethora of minor characters, all sung with remarkably enjoyable voices, I want to mention Peter Rose, who sang Swallow, the coroner, with a well-set, stentorian bass.

    • Amongst other exceptional performances, there is Peter Rose in generously fortified voice as the lawyer and village coroner, Swallow...

  • Strauss - Der Rosenkavalier

    Dresden Semperoper
    Mar 2023

    • Peter Rose, another 2014 veteran, gave another highly accomplished performance as Ochs. He knows the role inside out and can play with it, the language in particular assimilated as if he were speaking it spontaneously, yet he takes nothing for granted. His boredom with the Italian singer, here in an utterly outstanding cameo by none other than Pavol Breslik, was as much a joy to watch as last time. Casting was throughout from depth, everyone contributing something

    • Peter Rose portrayed the Ochs von Lerchenau as a down-at-heel, self-deprecating Falstaff with unrestrained vitality and a magnificent bass voice. [translated] Den Ochs von Lerchenau hatte sich Peter Rose als einen heruntergekommenen selbstironischen Falstaff mit hemmungsloser Vitalität und einer prachtvollen Bass-Stimme zu Recht gelegt.

  • Wagner - Der Fliegende Holländer

    Teatro Comunale di Bologna
    Jan 2023

    • Excellent Peter Rose , a vocally impeccable Daland for softness and ductility. He scenically reveals the total identification with the character and the ability to make the behavior of this "sui generis" father seem almost natural in choosing a groom for his daughter. The phrasing is accurate and detailed, pervaded by delicate irony. [Translated] Ottimo Peter Rose, un Daland vocalmente ineccepibile per morbidezza e duttilità. Scenicamente rileva la totale immedesimazione nel personaggio e la capacità di far sembrare quasi naturale il comportamento di questo padre “sui generis” nella scelta dello sposo per la figlia. Curato ed approfondito il fraseggio, pervaso di delicata ironia.

    • We want to give an honorable mention to Daland of the first cast, Peter Rose, who, as an Ochs expert doses the mimicry, the gesture, the accent with a human bonhomie at times comical but never caricatured. After all, the bourgeois entrepreneur dad who rashly chooses a very rich and mysterious husband for his adored little daughter, taking care however to have her consent, is in himself a character who could fit perfectly in a comic opera - he is memorable without overplaying his hand. [Translated]"E una menzione d'onore vogliamo darla proprio al Daland della prima compagnia, Peter Rose, che da esperto Ochs qual è dosa la mimica, il gesto, l'accento con un'umana bonomia a tratti comica ma mai caricaturale. Dopotutto, il papà imprenditore borghese che sceglie avventatamente un marito ricchissimo e misterioso per l'adorata figlioletta, premurandosi però di avere il suo consenso, è di per sé un personaggio che potrebbe star benissimo in un'opera buffa e ricordarlo senza calcar troppo la mano serve anche a definire la distanza fra la dimensione terrena e quotidiana e quella, invece, spirituale ed epica del dramma.

    • Peter Rose 's Daland is too sympathetic scenically, but is vocally much more appropriate. [Translated] Il Daland di Peter Rose è scenicamente fin troppo simpatico, ma vocalmente ben più appropriato.

  • Wagner - Ring Cycle

    Deutsche Staatsoper Berlin
    Oct 2022

    • Heavyweights Fasolt...and Fafner (a cavernous-voiced Peter Rose who returned as an imprisoned, straight-jacketed psychopathic patient instead of the text’s dragon) demanded payment for Valhalla...

    • ...it was the Fafner of Peter Rose who appeared the more cunning of the pair – but with an elegant phrasing that often bordered on nobility.

    • ...Peter Rose brought elegant gravitas to Fafner’s final moments...

    • Wotan-Wanderer watches from the gallery as a tied up Fafner (Peter Rose) is brought in, who soon has to compete with Siegfried in a kind of gladiator fight. The plot consists only of experiments in a clinical atmosphere. Despite the uninspiring pictures, Schager and Rose are able to move with their parting words. [Translated] Wotan-Wanderer beobachtet von der Galerie, wie ein gefesselter Fafner (Peter Rose) herbeigeführt wird, der sich bald in einer Art Gladiatorenkampf mit Siegfried messen muss. Die Handlung besteht ja nur aus Experimenten in klinischer Atmosphäre. Trotz der wenig inspirierenden Bilder vermögen Schager und Rose durch ihre Abschiedsworte zu rühren

  • Wagner - Der fliegende Holländer

    Grange Park
    Jul 2022

    • Luxury casting brought Peter Rose as her father Daland, almost jokey in his complicity with the Dutchman, Carolyn Dobbin in a fine cameo as Senta’s nurse Mary, and the eloquent Elgan Llyr Thomas as the Steersman who makes the best of it without having much of a ship to steer.

  • Berg - Wozzeck

    Gran Teatre del Liceu
    May 2022

    • Peter Rose sings the role with ample vocal means and with cynical and dark undertones. He gives Wozzeck money in exchange for the experiments, but also shows him very clearly how inferior he finds Wozzeck, especially when he has seen him peeing wildly on the street, 'like a dog'. Peter Rose zingt de rol met ruime vocale middelen en met cynische en donkere ondertonen. Hij geeft Wozzeck geld in ruil voor de experimenten, maar laat hem ook heel duidelijk merken hoe minderwaardig hij Wozzeck vindt, zeker als hij hem op straat wild heeft zien plassen, ‘als een hond’.