RobinTicciati

Press

• Poulenc Double Bill: La Voix Humaines and Les Mamelles

  Glyndebourne Festival Opera

  Aug 2022

  • Ticciati and the London Philharmonic Orchestra relish every note.

    • The Times
    • 10 August 2022

• Walton Viola Concerto & Brahms Symphony No. 4

  Barbican Centre

  Oct 2021

  • Robin Ticciati’s daringly prolonged upbeat to the opening phrase of the first movement heralded a reading of heartfelt empathy. Lovingly phrased and warmly expressive, it perhaps benefited from Ticciati’s recent engagement with Wagner’s Tristan und Isolde: certainly the long legato lines and richness of texture put one in mind of Brahms’s arch-rival

    • Evening Standard

• La damnation de Faust

  Glyndebourne Festival Opera

  • Ticciati, an exemplary Berliozian, conducts with great beauty and a keen sense of dramatic pace. The London Philharmonic play with refined sensuousness of detail, while the Glyndebourne Chorus, augmented for the occasion, sound terrific throughout

    • The Guardian

• London Philharmonic Orchestra

  Royal Festival Hall

  • he Bruckner symphony was a transcendent experience. Ticciati, perhaps the most spiritual as well as naturally gifted of the younger conductors, drew playing of endlessly fascinating precision, ensured a marvellous blend at a marvellously adjusted pace, and, though he couldn’t be faulted for the sense of architectural cogency imparted, was at the same time supremely able to let the music breathe: an organism. It is, I think, Bruckner’s most perfect symphony, and this performance had me feeling it is his greatest.

    • The Times
    • 06 February 2019